This article notifies the change in life status of the people that were workers in which, the main productions of the socialism in the past, and learning the arts that were related to this theme.
There are two types of art that are studied.
One is the Fluxus art. Unlike other types of performance arts, Fluxus art sends out its messages actively by communicating with the audience. They transform things that we directly experience every day, like death, hygiene, pollution, and services into art.
The audience is pleased and experiences the problems of life which, can not be felt by news or other media, by being a part of this art.
The other is the Photograph art. In this particular art, the picture observes people’s lives. They are exposed to consumption, and their position that are now away from the labor site are brought out without any censorship. By revealing especially the rural exodus worke, vagrants in streets, or children who were abandoned by their parents, one can observe various spectrums of people during the post-socialist period.
The two arts recognize the following. People’s lives from the socialist period are already moving towards consumption from production. However, there are people who remain in the past socialist period because they couldn’t get used to the new consumerism culture. As a member of society, people now have various positions from their own direction. These two arts are becoming new ways of offering them into aesthetic politics.
@article{ART001995643}, author={kim Young Mi}, title={How to Read the Post Socialist China - The Deconstruction of the Production Subject & Art}, journal={The Journal of Chinese Cultural Studies }, issn={1598-8503}, year={2015}, number={28}, pages={151-176}, doi={10.18212/cccs.2015..28.007}
TY - JOUR AU - kim Young Mi TI - How to Read the Post Socialist China - The Deconstruction of the Production Subject & Art JO - The Journal of Chinese Cultural Studies PY - 2015 VL - null IS - 28 PB - The Society For Chinese Cultural Studies SP - 151 EP - 176 SN - 1598-8503 AB - This article notifies the change in life status of the people that were workers in which, the main productions of the socialism in the past, and learning the arts that were related to this theme.
There are two types of art that are studied.
One is the Fluxus art. Unlike other types of performance arts, Fluxus art sends out its messages actively by communicating with the audience. They transform things that we directly experience every day, like death, hygiene, pollution, and services into art.
The audience is pleased and experiences the problems of life which, can not be felt by news or other media, by being a part of this art.
The other is the Photograph art. In this particular art, the picture observes people’s lives. They are exposed to consumption, and their position that are now away from the labor site are brought out without any censorship. By revealing especially the rural exodus worke, vagrants in streets, or children who were abandoned by their parents, one can observe various spectrums of people during the post-socialist period.
The two arts recognize the following. People’s lives from the socialist period are already moving towards consumption from production. However, there are people who remain in the past socialist period because they couldn’t get used to the new consumerism culture. As a member of society, people now have various positions from their own direction. These two arts are becoming new ways of offering them into aesthetic politics. KW - The aesthetics of politics;Relational art;Fluxus art;Photogragh art;Post socialism;people DO - 10.18212/cccs.2015..28.007 ER -
kim Young Mi. (2015). How to Read the Post Socialist China - The Deconstruction of the Production Subject & Art. The Journal of Chinese Cultural Studies , 28, 151-176.
kim Young Mi. 2015, "How to Read the Post Socialist China - The Deconstruction of the Production Subject & Art", The Journal of Chinese Cultural Studies , no.28, pp.151-176. Available from: doi:10.18212/cccs.2015..28.007
kim Young Mi "How to Read the Post Socialist China - The Deconstruction of the Production Subject & Art" The Journal of Chinese Cultural Studies 28 pp.151-176 (2015) : 151.
kim Young Mi. How to Read the Post Socialist China - The Deconstruction of the Production Subject & Art. 2015; 28 : 151-176. Available from: doi:10.18212/cccs.2015..28.007
kim Young Mi. "How to Read the Post Socialist China - The Deconstruction of the Production Subject & Art" The Journal of Chinese Cultural Studies no.28(2015) : 151-176.doi: 10.18212/cccs.2015..28.007
kim Young Mi. How to Read the Post Socialist China - The Deconstruction of the Production Subject & Art. The Journal of Chinese Cultural Studies , 28, 151-176. doi: 10.18212/cccs.2015..28.007
kim Young Mi. How to Read the Post Socialist China - The Deconstruction of the Production Subject & Art. The Journal of Chinese Cultural Studies . 2015; 28 151-176. doi: 10.18212/cccs.2015..28.007
kim Young Mi. How to Read the Post Socialist China - The Deconstruction of the Production Subject & Art. 2015; 28 : 151-176. Available from: doi:10.18212/cccs.2015..28.007
kim Young Mi. "How to Read the Post Socialist China - The Deconstruction of the Production Subject & Art" The Journal of Chinese Cultural Studies no.28(2015) : 151-176.doi: 10.18212/cccs.2015..28.007