A Study on the ‘National Style’ Music Popularization the New Period of China ― Centering on the Song of “xinjiangfeng” by guangnan-shi

MyungSook  Choi

doi:10.18212/cccs.2018..41.021

KJC Korea
Journal Central

The Journal of Chinese Cultural Studies 2021 KCI Impact Factor : 0.36

Korean | English

pISSN : 1598-8503 / eISSN : 2714-0067

http://journal.kci.go.kr/cccs

BACK
TOP

Home > Explore Content > All Issues > Article View

21 of 21

A Study on the ‘National Style’ Music Popularization the New Period of China ― Centering on the Song of “xinjiangfeng” by guangnan-shi

The Journal of Chinese Cultural Studies
2018, (41), pp.513-533
DOI : 10.18212/cccs.2018..41.021

Publisher : The Society For Chinese Cultural Studies
Research Area : Chinese Culture

Received : July 15, 2018
Accepted : August 17, 2018
Published : August 30, 2018

MyungSook Choi ¹

¹상명대학교

ABSTRACT
열림/닫힘 버튼

After the Cultural Revolution, popular music from Hong Kong and Taiwan was introduced to the mainland through various media outlets and developed with an absolute impact on the industrialization, diversification, and commodification of native music. Moreover, with the introduction of a market economy and a political upheaval, the creation of music by mainland China, which had been suppressed for a long time, resumed again, bringing about new developments in the way music was created and the quality of music. In this issue, we will study the first generation composer, the people’s musician, and the singer of the time. Since the opening of the reform, it can be said that shiguangnan’s creative music has represented the achievements of the continental lyricism of the early New Year and the trend of the times. Most of his songs have the simple and intimate characteristics of private houses because they have been artistically processed by finding and applying the visitors of rich and beautiful minorities from various parts of China. In this study, the musical creation of shi-guangnan focuses on the musical characteristics of the “Minjufeng”, the most important phenomenon of Chinese culture, and on the folk music of Chinese minority Uighur people. It will also focus on looking at lyricism, which was popular in the mainland during the new era, and the phenomenon of nationalism in early days of pop music.
KEYWORDS
열림/닫힘 버튼

new period, national style, uyghur, lyrical song, popularization

Statistics

199 Viewed

24 Downloaded

Tools

Print this page

Download PDF

Export Citation

Sharing

Facebook

Twitter

Issue List

Vol. No.50

Vol. No.49

Vol. No.48

Citation status

KCI Citation Counts (1)
열림/닫힘 버튼
REFERENCES (14)
열림/닫힘 버튼
* 2021년 이후 발행 논문의 참고문헌은 현재 구축 중입니다.

[book] 조영남 / 2016 / 개혁과 개방 : 덩샤오핑 시대의 중국1 / 민음사

[book] 정첸 / 2011 / 중국의 민족과 종교 10 / 교우사

[book] 김명숙 / 1994 / 젊은 여행자들, 중국 편, 투루판 편 / 학생여행문화센터

[book] 위아이청 / 2005 / 대중음악으로 이해하는 중국 / 학고방

[thesis] 이리 / 2009 / 신장 위구르족 민족악기 연구 / 석사 / 신장사범대학교

[thesis] 주양 / 2018 / 시광남(施光南)의 성악곡에 나타나는 민족 음악 특징 연구 / 석사 / 건국대학교

[thesis] 최명숙 / 2002 / 한국과 중국의 가곡비교 연구 / 안동대학교 음악대학원

[journal] 안영은 / 2009 / 90년대 문화현상 <아제구(阿姐鼓)> 初探 / 중국학연구 / 중국학연구회 (50) : 877~893

[journal] 장혜원 / 개혁으로 요동치는 중국 공연예술계 / weekly@예술경영 (50)

[journal] 최명숙 / 2017 / A Study of Nationalization of Music “Xi bei feng” in China / 중국문화연구 / 중국문화연구학회 (37) : 5~28 / 10.18212/cccs.2017..37.001

[journal] 张新颖 / 1995 / 中国当代文化反抗的流变: 从北岛到崔健到王朔 / 文艺争鸣 (3)

[book] 林思明 / 2013 / 祝酒歌的特征分析 / 大众文艺出版社

[book] 候书森 / 1999 / 青年必知音乐手册 / 中国国制广播出版社

[thesis] 崔明淑 / 2007 / 新时期中国流行音乐中的民族元素研究 / 博士 / 北京师范大学