[journal] 김지혜 / 2017 / A Study on Giorgio Agamben's Potentiality and Contemporary Art / 미학예술학연구 / 한국미학예술학회 50 : 101~136 / http://dx.doi.org/10.17527/JASA.50.0.04

[journal] 노영훈 / 2014 / Analysis of the notion of ‘Dispositif’ in Contemporary Art / 예술과 미디어 / 예술과미디어학회 13(2) : 53~84

[journal] 이재준 / 2016 / Physiognomy of Face and Things: On the Expression of Machine in Modern Neuroscience and Optical Media / 미술이론과 현장 / 한국미술이론학회 (22) : 62~85 / https://doi.org/10.11112/jksmi.25083538.2016.22.062

[journal] 조선령 / 2015 / The Concept of Apparatus and Expanded Field of Image Theories : focusing on the converging point between Flusser and Agamben / 미학예술학연구 / 한국미학예술학회 45 : 219~242 / http://dx.doi.org/10.17527/JASA.45.0.07

[book] Agamben, Giorgio / 2011 / Releasing the Image: From Literature to New Media / Stanford University Press : 60~80

[book] Agamben, Giorgio / 2009 / What is an Apparatus? and Other Essays / Stanford University Press

[book] Agamben, Giorgio / 2002 / Guy Debord and the Situationist International: Texts and Documents / MIT Press : 313~321

[book] Agamben, Giorgio / 2000 / What is a Camp? Means without End: Notes on Politics / University of Minnesota Press : 37~47

[book] Agamben, Giorgio / Means without End : 49~62

[book] Agamben, Giorgio / Means without End : 73~90

[book] Agamben, Giorgio / Means without End : 91~101

[book] Agamben, Giorgio / Means without End : 109~120

[book] Agamben, Giorgio / 2007 / Profanations / Zone Books : 73~92

[book] Agamben, Giorgio / 2007 / The Coming Community / University of Minneapolis : 47~52

[book] Agamben, Giorgio / 1999 / Potentialities: Collected Essays in Philosophy / Stanford University Press : 89~103

[other] Agamben, Giorgio / On Potentialities / Potentialities : 177~184

[book] Agamben, Giorgio / 1998 / Homo Sacer: Sovereign Power and Bare Life / Stanford University Press

[book] Agamben, Giorgio / 1993 / Infancy and History: The Destruction of Experience / Verso : 89~106

[book] Benjamin, Walter / 1999 / The Arcades Project / Belknap Press of Harvard University Press

[book] Benjamin, Walter / 1968 / Illuminations / Schocken : 253~264

[book] Braun, Marta / 2010 / Eadweard Muybridge / Reaktion Books

[book] Debord, Guy / 1995 / Donald Nicholson-Smith / Zone books

[web] Debord, Guy / 1956 / A User’s Guide to Détournement / http://www.cddc.vt.edu/sionline/presitu/usersguide.html

[book] Didi-Huberman, Georges / 2017 / The Surviving Image: Phantoms of Time and Time of Phantoms, Aby Warburg’s History of Art / University of Chicago Press

[book] Didi-Huberman, Georges / 2003 / Invention of Hysteria: Charcot and the Photographic Iconography of the Salpêtrière / MIT Press

[book] Foucault, Michel / 2006 / Psychiatric Power: Lectures at the Collège de France, 1974-1974 / Palgrave Macmillan

[book] Godard, Jean-Luc / 2005 / Cinema: The Archaeology of Film and the Memory of A Century / Bloomsbury Academic

[book] Grønstad, Asbjørn / 2016 / Cinema and Agamben: Ethics, Biopolitics and the Moving Image / Bloomsbury Academic : 1~18

[other] Heller-Roazen, Daniel / Editor’s Introduction: “To Read What Was Never Written” / Potentialities : 1~24

[journal] Kim, Jihoon / 2013 / Manipulated Surface and Time: Digital VIdeo and the “Film-Video Hybrid” in Bill Viola’s 21st Century Work / Quarterly Review of Film and Video 30(2) : 140~158

[book] Kracauer, Siegfried / 1995 / The Mass Ornament: Weimar Essays / Harvard University Press : 75~88

[book] Levin, Thomas Y / Dismantling the Spectacle: The Cinema of Guy Debord / Guy Debord and the Situationist International : 321~453

[book] Levitt, Deborah / 2008 / The Work of Giorgio Agamben: Law, Literature, Life / Edinburgh University Press : 193~211

[book] Lundemo, Trond / Cinema and Agamben : 191~206

[book] Meek, Allen / 2016 / Biopolitical Media: Catastrophe, Immunity, Bare Life / Routedge

[book] Michaud, Philippe-Alain / 2004 / Aby Warburg and the Image in Motion / Zone Books

[book] Noys, Benjamin / Cinema and Agamben : 89~102

[book] Mulvey, Laura / 1996 / Fetishism and Curiosity / Indiana University Press

[book] Murray, Alex / The Work of Giorgio Agamben: Law, Literature, Life : 164~180

[book] Prodger, Philip / 2003 / Time Stands Still: Muybridge and the Instantaneous Photography Movement / Oxford University Press

[journal] Russell, Catherine / 2007 / Dialectical Film Criticism: Walter Benjamin’s Historiography, Cultural Critique and the Archive / Transformations 15

[journal] Silverman, Kaja / 2002 / The Dream of the Nineteenth Century / Camera Obscura 17(3) : 1~29

[book] Steyerl, Hito / 2012 / The Wretched of the Screen / Sternberg Press : 176~190

[book] Väliaho, Pasi / Cinema and Agamben : 103~120

[book] Väliaho, Pasi / 2010 / Mapping the Moving Image: Gesture, Thought and the Cinema circa 1900 / Amsterdam University Press

[book] Witt, Michael / 2013 / Cinema Historian / Indiana University Press