This is a disquisition of the emotional literature that first appeared in Chinese modern literary works. The <Corruption> of Yidafu is the first work to represent human affect as a theory of creation. This work is also considered an example of an emotional narrative, and an autobiographical novel. The shape of the lyrical figure of <Corruption> is derived from the ideology of liberation that advocates the ego - Yudafu deals with 'sexuality' as a narrative strategy that effectively portrays the self. Upon review, this was work not to be considered a depiction of a degenerate human being, but rather an attempt to find the self effectively by making the 'sexuality' consciousness in the inner human being a type of discourse in the work. This work is evaluated as an excellent work expressing modern personalities and emotions effectively and thoughtfully by the author.
@article{ART002452419}, author={Kim Kyung Seog}, title={The Ego and Emotion of Chinese Modern Literature}, journal={Cross-Cultural Studies}, issn={1598-0685}, year={2019}, volume={54}, pages={19-34}, doi={10.21049/ccs.2019.54..19}
TY - JOUR AU - Kim Kyung Seog TI - The Ego and Emotion of Chinese Modern Literature JO - Cross-Cultural Studies PY - 2019 VL - 54 IS - null PB - Center for Cross Culture Studies SP - 19 EP - 34 SN - 1598-0685 AB - This is a disquisition of the emotional literature that first appeared in Chinese modern literary works. The of Yidafu is the first work to represent human affect as a theory of creation. This work is also considered an example of an emotional narrative, and an autobiographical novel. The shape of the lyrical figure of is derived from the ideology of liberation that advocates the ego - Yudafu deals with 'sexuality' as a narrative strategy that effectively portrays the self. Upon review, this was work not to be considered a depiction of a degenerate human being, but rather an attempt to find the self effectively by making the 'sexuality' consciousness in the inner human being a type of discourse in the work. This work is evaluated as an excellent work expressing modern personalities and emotions effectively and thoughtfully by the author. KW - Yudafu;corruption;autobiographical novel;ego;affect;emotional narrative DO - 10.21049/ccs.2019.54..19 ER -
Kim Kyung Seog. (2019). The Ego and Emotion of Chinese Modern Literature. Cross-Cultural Studies, 54, 19-34.
Kim Kyung Seog. 2019, "The Ego and Emotion of Chinese Modern Literature", Cross-Cultural Studies, vol.54, pp.19-34. Available from: doi:10.21049/ccs.2019.54..19
Kim Kyung Seog "The Ego and Emotion of Chinese Modern Literature" Cross-Cultural Studies 54 pp.19-34 (2019) : 19.
Kim Kyung Seog. The Ego and Emotion of Chinese Modern Literature. 2019; 54 19-34. Available from: doi:10.21049/ccs.2019.54..19
Kim Kyung Seog. "The Ego and Emotion of Chinese Modern Literature" Cross-Cultural Studies 54(2019) : 19-34.doi: 10.21049/ccs.2019.54..19
Kim Kyung Seog. The Ego and Emotion of Chinese Modern Literature. Cross-Cultural Studies, 54, 19-34. doi: 10.21049/ccs.2019.54..19
Kim Kyung Seog. The Ego and Emotion of Chinese Modern Literature. Cross-Cultural Studies. 2019; 54 19-34. doi: 10.21049/ccs.2019.54..19
Kim Kyung Seog. The Ego and Emotion of Chinese Modern Literature. 2019; 54 19-34. Available from: doi:10.21049/ccs.2019.54..19
Kim Kyung Seog. "The Ego and Emotion of Chinese Modern Literature" Cross-Cultural Studies 54(2019) : 19-34.doi: 10.21049/ccs.2019.54..19