The Ego and Emotion of Chinese Modern Literature

Kim Kyung Seog

doi:10.21049/ccs.2019.54..19

This is a disquisition of the emotional literature that first appeared in Chinese modern literary works. The <Corruption> of Yidafu is the first work to represent human affect as a theory of creation. This work is also considered an example of an emotional narrative, and an autobiographical novel. The shape of the lyrical figure of <Corruption> is derived from the ideology of liberation that advocates the ego - Yudafu deals with 'sexuality' as a narrative strategy that effectively portrays the self. Upon review, this was work not to be considered a depiction of a degenerate human being, but rather an attempt to find the self effectively by making the 'sexuality' consciousness in the inner human being a type of discourse in the work. This work is evaluated as an excellent work expressing modern personalities and emotions effectively and thoughtfully by the author.

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* 2021년 이후 발행 논문의 참고문헌은 현재 구축 중입니다.

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이 논문은 한국연구재단의 지원을 받아 작성되었습니다.

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