The Change of the Ci-ti from Hua-jian-ci to Liu-yong-ci

PARK, HONG JUN

doi:10.15792/clsyn..85.202012.29

@article{ART002669543},
author={PARK, HONG JUN},
title={The Change of the Ci-ti from Hua-jian-ci to Liu-yong-ci},
journal={Journal of Chinese Language and Literature},
issn={1225-083X},
year={2020},
number={85},
pages={29-53},
doi={10.15792/clsyn..85.202012.29}

TY - JOUR
AU - PARK, HONG JUN
TI - The Change of the Ci-ti from Hua-jian-ci to Liu-yong-ci
JO - Journal of Chinese Language and Literature
PY - 2020
VL - null
IS - 85
PB - Chinese Literary Society Of Yeong Nam
SP - 29
EP - 53
SN - 1225-083X
AB - This paper started by raising objections to treating Hua-jian-ci and Liu-yong-ci as one category, classifying the main Ci-ti among scholars studying the Ci-ti. This is because Hua-jian-ci and Liu-yong-ci were thought to be ci-ti that showed clear differences in many ways. First of all, their differences could be found in terms of the musical aspects represented by the Ci-diao. Hua-jian-ci used a lot of traditional Jiao-fang songs and not many new songs were taken at the time. Also, there were many works per Ci-diao, so they tended to create familiar songs over and over again rather than new songs. On the other hand, Liu-yong-ci used a lot of new music of Song dynasty rather than the previous period, and the number of works per Ci-diao was relatively small. Based on this, Hua-jian-ci shows a tendency to be conservative in terms of music, and Liu-yong-ci shows a progressive aspect. Next, in terms of the structure of the work, Hua-jian-ci is mostly a Xiao-ling of short-length, and is excellent at quickly changing scenes, focusing on scene descriptions. Liu-yong-ci, however, has a large number of long types, and is excellent at expressing emotions using the method of Pu-xu. Therefore, Hua-jian-ci and Liu-yong-ci show almost the opposite characteristics in the structure of the work. In this regard, Hua-jian-ci and Liu-yong-ci are clearly Ci-ti’s with unique personalities. Therefore, it seems inappropriate to discuss the two as a single Ci-ti. As the body changed from Hua-jian-ci to Liu-yong-ci, Tang-song-ci was able to stand tall as a literary style that could represent an era. In addition, the various expressions they developed had a good influence on future poet.
KW - 화간사(Hua-jian-ci);유영사(Liu-yong-ci);사체(Ci-ti);사조(Ci-diao);포서(Pu-xu);당송사(Tang-song-ci)
DO - 10.15792/clsyn..85.202012.29
ER -

PARK, HONG JUN. (2020). The Change of the Ci-ti from Hua-jian-ci to Liu-yong-ci. Journal of Chinese Language and Literature, 85, 29-53.

PARK, HONG JUN. 2020, "The Change of the Ci-ti from Hua-jian-ci to Liu-yong-ci", Journal of Chinese Language and Literature, no.85, pp.29-53. Available from: doi:10.15792/clsyn..85.202012.29

PARK, HONG JUN "The Change of the Ci-ti from Hua-jian-ci to Liu-yong-ci" Journal of Chinese Language and Literature 85 pp.29-53 (2020) : 29.

PARK, HONG JUN. The Change of the Ci-ti from Hua-jian-ci to Liu-yong-ci. 2020; 85 : 29-53. Available from: doi:10.15792/clsyn..85.202012.29

PARK, HONG JUN. "The Change of the Ci-ti from Hua-jian-ci to Liu-yong-ci" Journal of Chinese Language and Literature no.85(2020) : 29-53.doi: 10.15792/clsyn..85.202012.29

PARK, HONG JUN. The Change of the Ci-ti from Hua-jian-ci to Liu-yong-ci. Journal of Chinese Language and Literature, 85, 29-53. doi: 10.15792/clsyn..85.202012.29

PARK, HONG JUN. The Change of the Ci-ti from Hua-jian-ci to Liu-yong-ci. Journal of Chinese Language and Literature. 2020; 85 29-53. doi: 10.15792/clsyn..85.202012.29

PARK, HONG JUN. The Change of the Ci-ti from Hua-jian-ci to Liu-yong-ci. 2020; 85 : 29-53. Available from: doi:10.15792/clsyn..85.202012.29

PARK, HONG JUN. "The Change of the Ci-ti from Hua-jian-ci to Liu-yong-ci" Journal of Chinese Language and Literature no.85(2020) : 29-53.doi: 10.15792/clsyn..85.202012.29

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