A Study On Hu Yinglin's Poetry Criticism of Song Dynasty

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doi:10.15792/clsyn..85.202012.77

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Journal of Chinese Language and Literature 2022 KCI Impact Factor : 0.25

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A Study On Hu Yinglin's Poetry Criticism of Song Dynasty

Journal of Chinese Language and Literature
2020, (85), pp.77-91
DOI : 10.15792/clsyn..85.202012.77

Publisher : Chinese Literary Society Of Yeong Nam
Research Area : Chinese Language and Literature

Received : November 10, 2020
Accepted : December 17, 2020
Published : December 31, 2020

王精金 ¹

¹고려대학교 국어국문학과

ABSTRACT
열림/닫힘 버튼

The pattern theory of poetics is the mainstream andauthentic in the the Ming Dynasty. Thepoetry school of restoration which is led by the ‘Ming Qizi’ refuted the Song poetry extremely. Hu Yinglin followes the The patterntheory of poetics’ style and continues the theoryof ‘Ming Qizi’, but his overall evaluation ofSong poetry was not good. In Hu Yinglin's poetics pedigree, “MirableImages and Romantic Charms” of Tang poetry is the model of his pursuit. Based on the concept of “style to replace change”, he emphasizes theevolutionary consciousness of “one generation has one generation ofliterature”. He believes that song poetry imitates Tang poetry, pursuesskills without new changes, “style to replace decline”, and itsquality and style decline, so it is replaced by Song poetry. Hu Yinglin takesthe concept of “physical inferiority” as the mirror image, whichnaturally reflects many problems of Jiangxi poetic school, Suhuang and Yuan’s poetry. They negative the value of the domain and they are also lost in the “outside” of his poetic history pedigree based on Tang poetry.In some agree, his active exploration of Suhuang,Jiangxi poetry school and Song poetry’s characteristics deepenedpeople's understanding of Song poetry objectively, and opened the trend of the “GongAn” school to respect Song Dynasty.
KEYWORDS
열림/닫힘 버튼

Hu Yinglin, Song Poetry, Tang Song Origin, Mirable Images and Romantic Charms, Ming Qizi

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