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pISSN : 1225-083X

2020 KCI Impact Factor : 0.37
목적과 범위
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  《中國語文學》은 영남중국어문학회에서 발간하는 한국연구재단 등재학술지이다. 중국어문학․한중비교문학 및 한중문화 등에 관한 연구논문․번역․서평․학술활동보고 및 연구자료가 대상이 되며, 창의성과 학술적 가치를 지니고 학술논문의 체재를 갖춘 논문과 중국어문학의 고전에 대한 새로운 해석에 입각한 역주나 우리 학계에 소개할 필요성이 절실한 학술논저를 게재한다. 본 학보에 게재되는 논문은 DOI(디지털 객체 식별자)가 부여되어 세계적인 논문 검색과 인용의 용이성이 매우 높다. 매년 4월 말, 8월 말, 12월 말 세 차례 발행되며, 2020년까지 85집이 발간되었다. 
편집위원장
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안찬순 (경북대학교)
인용지수
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  • KCI IF(2년) : 0.37
  • KCI IF(5년) : 0.23
  • 중심성지수(3년) : 0.558
  • 즉시성지수 : 0.1111

최근발행 : 2021, Vol., No.87

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  • 皮日休의 <三羞詩> 연구

    박혜경 | 2021, (87) | pp.5~32 | 피인용수 : 0
    초록 PDF
    Pirixiu, a person in the late Tang Dynasty, compiled ≪Piziwenshou≫ of total 10 books by collecting his own writings in the 7th year of the reign of Yizong Xiantong in the Tang Dynasty. <Sanshoushi> is one of 36 poems included in Volume 10 and a group of poems that consists of 3 poems with the titles of “Three types of disgrace”. Pirixiu compiled ≪Piziwenshou≫ by collecting writings which can show his political view, study, ideas, or refinement to prove that he is perfectly qualified to be a government official. <Sanshoushi> sharply expressed criticism on politics of the time and his political view. Pirixiu made specific events of reality including Pirixiu's political situations of 7 years, the war with Nanzhao , and failure of the livelihood of the people in the whole area of Huaishui as well as Xuzhang his topics. Pirixiu emotionalized his sharp criticism with disgrace and criticized himself with shame. However, his shame eventually had a strategy to reveal political mistakes of the royal court and government officials of the time ironically. He indicated problems of the persons in charge of state affairs in the first poem and described defence matters in the second poem and failure of the livelihood of the people in the third poem, which are based on the political view that the people is the basis of politics. In addition, he expresses openness of channels of speech and the necessity of talented persons who can remonstrate with the king. In conclusion, Pirixiu disclosed a national crisis of the time to people, criticized the people having party presidency who caused it, and furthermore, expressed his wish to correct it by himself through Sanshoushi. For this, he selected the most timely and urgent topic and took a strategy to deliver his political opinions and desire based on the political view based on traditional Confucianism.
  • 丁謂詠物詩硏究

    후미령 | 2021, (87) | pp.33~58 | 피인용수 : 0
    초록 PDF
    This paper is an investigation of Ding Wei's Object-chanting poems. In the early Song Dynasty, Ding Wei, referring to the category of Shi Lei Fu, created more than 100 Object- chanting poems in the form of Li Qiao's Five-character poetry. The main contents are flowers and trees, birds and animals, insects and fish, food and clothing, which guide the development direction of chanting poetry in the Northern Song Dynasty. Although Ding Wei was regarded as one of the members of Xikun style, his themes are more extensive and his creative ideas are more positive than those of Xikun style. Ding Wei was a master of a poem with one word title of chanting things in the early Northern Song Dynasty. He was the forerunner of the Song poetry's characteristics of “Taking talents as poems, and discussing as poems”, and made great contributions to the establishment of the model of chanting things in the Song Dynasty.
  • ≪六祖壇經≫「三十六對法」的語言特色

    호군휘 | 안찬순 | 2021, (87) | pp.59~87 | 피인용수 : 0
    초록 PDF
    The Platform Sutra’s “thirty-six pairs of opposites” concept is a continuation of the “middle way” idea of the Buddhist tradition’s Madhyamaka-śāstra and the Mahāprajñāpāramitā-śāstra as well as the “dharma-gate of non-duality” concept of the Vimalakīrti-nirdeśa- sūtra. It also contains the “characteristics of phenomena” concept of the Consciousness-only school. This concept reflects the traditional Confucian idea of “listening to both sides and choosing the middle course” as well as the Taoist concept of “mutual incompatibility and mutual generation.” These concepts all combine to form the “thirty-six pairs of opposites.” The importance of this teaching is shown in how it is the basis for the transmission of teachings from master to disciple in Zen Buddhism. The main themes of the entire Platform Sutra have been compatibly intermixed with traditional Chinese literature and art to such an extent that it is hard to tell where one ends and the other begins. This shows that Buddhism has an inseparable relationship with traditional Chinese thought, literature, and art.