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pISSN : 1225-083X

2020 KCI Impact Factor : 0.37
목적과 범위
  《中國語文學》은 영남중국어문학회에서 발간하는 한국연구재단 등재학술지이다. 중국어문학․한중비교문학 및 한중문화 등에 관한 연구논문․번역․서평․학술활동보고 및 연구자료가 대상이 되며, 창의성과 학술적 가치를 지니고 학술논문의 체재를 갖춘 논문과 중국어문학의 고전에 대한 새로운 해석에 입각한 역주나 우리 학계에 소개할 필요성이 절실한 학술논저를 게재한다. 본 학보에 게재되는 논문은 DOI(디지털 객체 식별자)가 부여되어 세계적인 논문 검색과 인용의 용이성이 매우 높다. 매년 4월 말, 8월 말, 12월 말 세 차례 발행되며, 2020년까지 85집이 발간되었다. 
안찬순 (경북대학교)
  • KCI IF(2년) : 0.37
  • KCI IF(5년) : 0.23
  • 중심성지수(3년) : 0.558
  • 즉시성지수 : 0.1111

최근발행 : 2021, Vol., No.88

  • 白居易 작품에 나타난 죽음과 애도의 표현 방식에 대한 연구 -哀悼詩와 哀祭文을 중심으로-

    이수정 | 2021, (88) | pp.5~36 | 피인용수 : 0
    초록 PDF
    The purpose of this study is to investigate the speaking method on death and mourning in the literary works of elegy(哀悼詩) and funeral oration(哀祭文) of Bai Ju Yi. The speaking method on death and mourning can be categorized in three phases. The first phase is to re-consider the life of the deceased, which means immortality in society. He was trying to find the existence value of the deceased. The second phase is the direct expression on grief in plain words, which implies human bond with the deceased. Logical disorder in his works is due to the straightforward expression of emotion. The third phase is the expression of passive nihilism. He was describing the helplessness through pessimistic attitude. This concept originated from the idea of two different ways of life and death(生死異路). In conclusion, the speaking method on the death and mourning through these three phases implied the changed world view. Thus, this research gives a chance to re-evaluate Bai Ju Yi’s literary works.
  • 宋代 書藝詩 試探* -唐代 書藝詩와의 비교를 겸하여-

    우재호 | 2021, (88) | pp.37~68 | 피인용수 : 0
    초록 PDF
    Poems on Calligraphy, which began to be created in Tang Dynasty, was on track in the middle of Tang Dynasty. However, these calligraphy poems were more actively built and more diverse in Song Dynasty than in the day. Tang Dynasty's calligraphy poems was able to select about 100 numbers throughout Quantangshi(全唐詩, Complete Poetry of the Tang: A Complete Collection of Tang Poems), but Song Dynasty's calligraphy poems could extract about 946 numbers from Quansongshi(全宋詩, Complete Poetry of the Song: A Complete Collection of Song Poems). Therefore, in this paper, I analyzed the characteristics of Song Dynasty's calligraphy poems using these Song Dynasty's calligraphy poems as the primary research subject. Song Dynasty's calligraphy poems are almost 10 times more numerous than Tang Dynasty's calligraphy poems, so the contents covered in the subject were more diverse and rich than Tang Dynasty's calligraphy poems. In this paper, the analysis angle was slightly different from that of previous studies in China, first of all, focus on the title of the poem, and the analysis was conducted focusing on calligraphers, calligraphy, stone inscription and books of rubbings.
  • 죽음의 서사와 삶에 대한 염원 -≪太平廣記・報應篇・金剛經≫을 중심으로-

    강종임 | 2021, (88) | pp.69~92 | 피인용수 : 0
    초록 PDF
    This paper examines the meaning of the Diamond Sutra to people since it was introduced to China and translated and disseminated by Gumarajip through the various stories of the Diamond Sutra from the TaiPingGuangJi-Retribution episode. The way of accepting the Diamond Sutra described in these works was also a way of salvation for many people to overcome the limits of life and death. Analyzing these works, we confirmed that the merit of reciting the Diamond Sutra is replacing hidden virtue, which was a means of 'extension of life' in ancient Chinese concepts. Also, in the story preaching that possessing the Diamond Sutra itself is an invaluable merit, regardless of whether the contents are understood or not, we could witness that the religious beliefs of the Chinese people about the Diamond Sutra reached the climax.