2011, Vol., No.26
1.
2.
Cheong, Bi-seok and the logic of canonization of the collected works
Choi Ae-soon | 2011, (26) | pp.45~74 | number of Cited : 33.
4.
Public sphere and 'Minority Report' -A serial story in a newspaper and Cheong, Bi-seok -
Sunmi Lee | 2011, (26) | pp.111~150 | number of Cited : 145.
istorical Literature as a Domain of Cheong, Bi-Seok’s Popular Literature
Byounggill Kim | 2011, (26) | pp.151~172 | number of Cited : 06.
A filmic adaptation of Cheong, Bi-seok novels and its periodic trend
이길성 | 2011, (26) | pp.173~204 | number of Cited : 37.
8.
Gender and Reconstruction of Popularity of Park, Whasung(朴花城)'s Novels of 1950's
KIM BOK SOON | 2011, (26) | pp.229~260 | number of Cited : 89.
Conundrums of Flashback- Korean Horror Films and Representation of Colonial Past -
안진수 | 2011, (26) | pp.261~280 | number of Cited : 210.
11.
A Study on the Generic Formation of Korean Literary Films - between 1965 and 1969 -
Chung Young Kwon | 2011, (26) | pp.311~336 | number of Cited : 712.
Narrative Strategy of TV Show using Popluar Music
최성민 | 2011, (26) | pp.337~364 | number of Cited : 1213.
<Laputa: Castle in the Sky>, between disillusion and will
Park ki soo | 2011, (26) | pp.365~390 | number of Cited : 014.
15.
The Modern Representations of Prince Hodong stories
YU INHYEOK | 2011, (26) | pp.413~433 | number of Cited : 3