2018, Vol.24, No.1
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Soft Men and limited love of Jinho Heo's films
Bae, Saerom | 2018, 24(1) | pp.91~131 | number of Cited : 24.
The Interdependence and Non-Boundary of Cinematic Time and Space in Zhang Lu's Gyeongju
Lim, Chul-Hee | 2018, 24(1) | pp.133~167 | number of Cited : 45.
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The Community of Taste and Girl's Melodrama—A Study on the Novel in Girl Student (Ryeohakseng)
Kim Yangsun | 2018, 24(1) | pp.229~257 | number of Cited : 68.
The Context of Adaptation and the Change of Intertextuality in the Case of the Film V for Vendetta
NOH SHIHUN | 2018, 24(1) | pp.259~284 | number of Cited : 29.
The Literature in the Aging Society—Focused on Novels about Dementia
엄미옥 | 2018, 24(1) | pp.285~321 | number of Cited : 1210.
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A Study on the Economic Otherness and the Fantasy Mechanism of the Television Drama Secret Garden
Yun, Suk-jin | 2018, 24(1) | pp.349~382 | number of Cited : 312.
The Stylistic Differences on Disaster Narrative in Kim Joong-hyuk's Novels
Yun JungHwa | 2018, 24(1) | pp.383~415 | number of Cited : 513.
The Aspects and Meanings of Narrative Development&writing novel in Toji
Lee, Seung-yun | 2018, 24(1) | pp.417~447 | number of Cited : 614.
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Review Essay—Digital Visual Effects in Cinema: The Seduction of Reality
Chancheol Jeong | 2018, 24(1) | pp.483~515 | number of Cited : 1