The interpreted Future : Discourse about the Future on Western modern dance -Focussing on Isadora Duncan's Der Tanz der Zukunft (The Dance of the Future, 1903)-
DOI :10.18856/jpn.2012..28.013
Publisher : The Association of Popular Narrative
Research Area : Interdisciplinary Research
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This thesis strives to analyze the relationship between the dance aesthetics of Isadora Duncan, who is still considered a representative for Western modern dance, and the scientific discourses of Modern Times. With regard to this thesis, it is especially required to analyze an deciding influence of 'discourse about the future', which was emerged from the industrial as well as the scientifically modernized western world, on Duncan's dance. For this analysis I mainly concentrate on Isadora Duncan's book, Der Tanz der Zukunft, which was translated and published in Germany in 1903. Until now Duncan's dance has been in most cases considered in conjunction with the social and cultural distinctiveness of Modern Era. The women's liberation movement and the appearance of free dance style is one example of this context. However Duncan's initiative for a new kind of movement based on a discourse about 'human nature' was actually very closely related to the modern zeitgeist, which emphasized the dialectical synthesis between Körper (Body) and Geist (Mind). Duncan strove to embody contemporary scientific discourses referring to 'naturality of the human being'. This was anticipated by the evolutionary theories of Darwin and Haeckel as well as the humanistic and aesthetic theories about Greek culture by Wagner and Nietzsche. However it is quite important to note that these modern discourses mostly postulated an explicit separation between the ancient Greeks, respected as ideal model for the human being, and the uncivilized barbarian. Such a distinctive modern perspective on human body and culture is also to be found in arguments of the Western modern dancers like Isadora Duncan, whose mission was to embody 'the civilized nature', so to speak, to be conscious of their own naturalness.
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[other] Duncan, Isadora / 1903 / Der Tanz der Zukunft / Eugen Diederichs
[book] Duncan, Isadora / 1928 / Memoiren / Amalthea
[book] 박유하 / 2010 / 일본근대문학의 기원 / 도서출판 b
[book] Fuller, Loie / 1977 / Fifteen Years of a Dancer’s Life / Dance Horizons
[book] Gordon, Rae Beth / 2009 / Dances with Darwin, 1875-1910: Vernacular Modernity in France / Ashgate
[book] Artaud, Antonin / 1969 / Das Theater und sein Double / Fischer
[book] Brandstetter, Gabriele / 1995 / Tanz-Lektüren / Fischer
[book] Brandstetter, Gabriele / 2010 / Ohne Fluchtpunkt: ‚Szenische Module‘ und der Tanz der Teile. Anmerkungen zu Szenographie und Choreographie nach Appia, In Das Erbe Adolphe Appias: Szenographie und Choreographie im zeitgenössischen Theater / Alexander
[book] Darwin, Charles / 1982 / Die Abstammung des Menschen / Alfred Kröner
[book] Haeckel, Ernst / 1902 / Natürliche Schöpfungs-Geschichte / Georg Reimer
[book] Jaques-Dalcroze, Emile / 1921 / Rhythmus, Musik und Erziehung / Benno Schwabe & Co
[book] Koselleck, Reinhart / 1992 / Vergangene Zukunft / Suhrkamp
[book] Laban, Rudolf / 1920 / Die Welt des Tänzers / Seifert
[book] Laban, Rudolf / 1988 / Die Kunst der Bewegung / Florian Noetzel
[book] Müller, Hedwig / 1986 / Mary Wigman: Leben und Werk der großen Tänzerin / Quadriga
[journal] Nietzsche, Friedrich / 1972 / Die Geburt der Tragödie / Kritische Gesamtausgabe / Walter de Gruyter 1
[other] Steiner, Rudolf / 1986 / Eurythmie
[book] Wagner, Richard / 1850 / Das Kunstwerk der Zukunft / Otto Wigand
[web] / http://www.sk-kultur.de/tanz/duncan/seiten/doku2.html / http://www.sk-kultur.de/tanz/duncan/seiten/doku2.html
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