Journal of Popular Narrative 2021 KCI Impact Factor : 0.91
Review Essay—Digital Visual Effects in Cinema: The Seduction of Reality
ABSTRACT
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열림/닫힘 버튼[book] Prince, Stephen / 2012 / Digital Visual Effects in Cinema: The Seduction of Reality / Rutgers University Press
[book] Arnheim, Rudolf / 1957 / Film as Art / University of California Press
[other] Belton, John. / 2002 / Digital Cinema: A False Revolution : 98~114
[book] Bode, Lisa / 2017 / Making Believe: Screen Performance and Special Effects in Popular Cinema / Rutgers University Press
[book] Connor, Steven / 2017 / Dream Machine / Open Humanities Press
[journal] Creed, Barbara / 2000 / The Cyberstar: Digital Pleasures and the End of the Unconscious / Screen 41(1) : 79~86
[book] Densen, Shane / 2016 / Post-Cinema: Theorizing 21st-Century Film / REPRAME Books
[book] Evertt, Anna / 2003 / New Medis: Theories and Practices of Digitextuality / Routledge : 3~28
[book] Fielding, Raymond / 1965 / Special Effects Cinematography / Focal Press
[book] Gaudreault, André / 2015 / The End of Cinema? A Medium in Crisis in the Digital Age / Columbia University Press
[journal] Gunning, Tom / 2007 / Moving Away from the Index: Cinema and the Impression of Reality / differences: A Journal of Feminist Cultural Studies 18(1) : 29~52
[book] Keil, Charlie / 2016 / Editing and Special/Visual Effects / Rutgers University Press
[book] Kittler, Friedrich / 1999 / Gramophone, Film, Typewriter / Stanford University Press
[book] McClean, T Shilo / 2007 / Digital Storytelling: The Narrative Power of Visual Effects in Film / The MIT Press
[book] North, Dan / 2015 / Special Effects: New Histories/ Theories/ Contexts / BFI
[book] North, Dan / 2008 / Performing Illusions: Cinema, Speccial Effects and the Virtual Actor / Wallflower Press
[book] Peirce, Sanders Charles / 1992 / The Essential Peirde: Selected Writings Vol 1 (1867-1893) / Indiana University Press : 225~228
[journal] Prince, Stephen / 1996 / True Lies: Perceptual Realism, Digital Images, and Film Theory / Film Quarterly 49(3) : 27~37
[book] Rickitt, Richard / 2000 / Special Effects: The History and Technique / Billboard Books
[book] Shaviro, Steven / 2010 / Post-Cinematic Affect / Zero Books
[journal] Soderman, Braxton / 2007 / The Index and the Algorithm / differences: A Journal of Feminist Cultural Studies 18(1) : 153~186
[other] Sontag, Susan / 1996 / The Decay of Cinema / The New York Times, 25 February
[book] Turnock, A. Julie / 2015 / Plastic Reality: Special Effects, Technology, and the Emergence of 1970s Blockbuster Aesthetic / Columbia University Press
[book] Whissel, Kristen / 2014 / Spectacular Digital Effects: CGI and Contemporary Cinema / Duke University Press
[journal] Willemen, Paul / 2013 / Indexicality, Fantasy and the Digital / Inter-Asia Cultural Studies 14(1) : 110~135
[book] Wolf, Mark / 2000 / Abstracting Reality: Art, Communication, and Cognition in the Digital Age / University Press of America
[book] Wollen, Peter / 1972 / Signs and Meaning in the Cinema / Indiana University Press