Investigating the Musical Mind: Situated Cognition, Artistic Human-Robot Interaction Design, and Cognitive Musicology
Publisher : Ewha Institute for the Humanities: EIH
Research Area : Other Humanities
1University of Cologne
-
There are different domains in which convergence might take place. Within the arts we can think of the convergence of different forms of expressive media such as music, theater, film, and dance. Concerning media, we also may think of convergence of technical representations of different kinds of modalities as in multimedia and multi-modal environments. Furthermore, in the sciences one can think of convergence of different approaches to research questions. Artistic human-robot interaction design with schema theory might provide a basis for the study of subjective and objective mind using new media art environments as laboratories. The subjective or individual mind is studied within the humanities. Cognitive science as situated cognition and the humanities might converge in investigating the mind. Cognitive musicology is given as an example of a possible converging way of studying the subjective and objective mind. The use of robots plays an essential part of such a converging approach. Artistic human-robot interaction design is proposed as a research strategy. Social schema theory is related to artistic human-robot interaction design. The humanities, I think, should actively take part in the formation of a society in which humans are socially interacting with robots or artificial agents in daily life, art, entertainment, edutainment, therapy, and teaching.
-
[journal] J. S. Albus / 2007 / A Proposal for a Decade of the Mind Initiative / Science / American Association for the Advancement of Science (AAAS) 317(5843) : 1321b~1321b / 10.1126/science.317.5843.1321b
[journal] Arbib, Michael A. / 2005 / From Monkey-Like Action Recognition to Human Language: An Evolutionary Framework for Neurolinguistics / Behavioral and Brain Sciences 28 : 105~167
[book] Arbib, Michael A. / 2004 / The Handbook of Brain Theory and Neural Networks / MIT Press : 993~998
[book] Arbib, Michael A. / 2002 / Neuroscience of the Person: Scientific Perspectives on Devine Action / Vatican Observatory Publications / Center for Theology and the Natural Sciences : 419~448
[book] Arbib, Michael A. / 1985 / In Search of the Person: Philosophical Explorations in Cognitive Science / The University of Massachusetts Press
[book] Arbib, Michael A. / 2006 / From Action to Language via the Mirror Neuron System / Cambridge University Press
[book] Arbib, Michael A. / 1986 / The Construction of Reality / Cambridge University Press
[book] Arkin, Ronald C. / 2009 / Governing Lethal Behavior in Autonomous Robots / CRC Press
[book] Bar-Cohen, Yoseph / 2009 / The Coming Robot Revolution: Expectations and Fears About Emerging Intelligent, Humanlike Machines / Springer
[confproc] Buch, Benjamin / 2010 / playing_robot: An Interactive Sound Installation in Human Robot-Interaction Design for New Media Art / NIME : 15~18
[book] Krois, John Michael / 2007 / Embodiment in Cognition and Culture / John Benjamins
[book] Lischka, Christoph / 2006 / Machines as Agency / transcript
[book] Malloch, Stephen / 2009 / Communicative Musicality: Exploring the Basis of Human Companionship / Oxford University Press
[book] Manovich, Lev / 2005 / The New Media Reader / MIT Press : 13~25
[book] Rizzolatti, Giacomo / 2006 / Mirrors in the Brain: How Our Minds Share Actions and Emotions / Oxford University Press
[book] Rickman, H. P. / 1996 / The Encyclopedia of Philosophy, Vol. III / Simon & Schuster : 275~279
[book] Robbins, Philip / 2009 / The Cambridge Handbook of Situated Cognition / Cambridge University Press
[other] Singer, Wolf / 1999 / Der Geist tickt auf 40 Hertz / Süddeutsche Zeitung Nr. 116 : 3~
[book] Singerland, Edward / 2008 / What Science Offers the Humanities: Integrating Body and Culture / Cambridge University Press
[confproc] Schmidt, Lüder / 2005 / Towards an ‘Embodied Cognitive Science of Music’: Incorporating Mobile Autonomous Robots Into Musical Interaction / The 2nd Asia-Pacific Society for the Cognitive Science of Music, APSCOM05
[thesis] Schmidt, Lüder / 2008 / Embodied Cognitive Science of Music: Modeling Experience and Behavior in Musical Context / Ph. D / Institute of Musicology, University of Cologne
[journal] Seifert, Uwe / 1992 / Cognitive Science: A New Research Paradigm for Musicology / Interface 21(3-4) : 219~238
[journal] Seifert, Uwe / 2004 / Kognitive Musikwissenschaft: Naturalisierte Erforschung musikalischen Geistes / Journal of the Science and Practice of Music / Music Research Center 18 : 177~216
[book] Seifert, Uwe / 2008 / Human-Computer Interaction / In-tech : 177~194
[book] Seifert, Uwe / 2008 / Human-Computer Interaction, and Artistic Investigations / transcript
[book] Sun, Ron / 2008 / The Cambridge Handbook of Computational Psychology / Cambridge University Press : 3~19
[book] Thagard, Paul / 2005 / Mind: Introduction to Cognitive Science / MIT Press
[book] Wallach, Wendell / 2009 / Moral Machines: Teaching Robots Right from Wrong / Oxford University Press
[book] Wilson, Robert A. / 2004 / Boundaries of the Mind: The Individual in the Fragile Sciences - Cognition / Cambridge University Press
[book] Wilson, Stephen / 2005 / Mechanical Bodies, Computational Minds: Artificial Intelligence from Automata to Cyborgs / MIT Press : 391~408
[thesis] Wischmann, Steffen / 2007 / Neural Dynamics of Social Behavior: An Evolutionary and Mechanistic Perspective on Communication, Cooperatison, and Competition Among Situated Agents / PhD / Mathematisch-naturwissenschaftliche Fakultät, Rheinische Friedrich-Wilhelms-Universität Bonn
-
KCI Citation (0)
92 Viewed
Print this page
Download PDF