A Study on the Place Identity of Exhibition Hall and Otherized Human Exhibits: Focused on Kim Ae-ran’s “The Future of Silence” and Pyun Hye-young’s “International Exposition”

AhReum Han

doi:10.22901/trans.2020.13.1.203

This paper is to examine the location of the exhibition hall and the geopolitical relationship between power and power included in Kim Ae-ran’s “The future of silence” and Pyun Hye-young’s “International exposition”. To this end, I will apply human-geographer Edward Relph’s theory to analyze the identity of the exhibition hall and the identity about the exhibition hall by subdividing physical environment, human activities and meaning as the components of the place identity. At this time, the sense of belonging, separated from the boundaries of insiders and outsiders, serves as an important symbol of understanding the rampant power relationship within the social structure. Examining what narrative meaning based on the real logic of capitalism and nationalism that the writer wants to reveal through his literary work is. I also try to deal with the unconsciousness and psychological reality perception of figures who interact closely with physical reality through fantasy techniques. This will be the work of analyzing the placeness of the exhibition hall represented in the literary work, taking issue with the structure of power that creates the relationship between differences in human activities, confirming the possibility of the author’s literary practice and reasons, which means the aspect of narrative reproduction from a geopolitical perspective.

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REFERENCES (42)
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