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Aesthetic feature of playing record by Lee Ok(李鈺)
Journal of Korean Classical Chinese Literature
Abbr :
한문고전연구
2008, 16(1), pp.261-296
DOI : 10.18213/jkccl.2008.16.1.009
Publisher : The Classical Chinese Literature Association of Korea
Research Area : Korean Language and Literature
2008, 16(1), pp.261-296
DOI : 10.18213/jkccl.2008.16.1.009
Publisher : The Classical Chinese Literature Association of Korea
Research Area : Korean Language and Literature
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This thesis aimed at examining the feature centering around the playing record of Lee Ok(李鈺)(1761~1812) and searching for the aesthetic feature of playing record by Lee Ok. Those days that Lee Ok lived were from the latter period of the 18th century to the early stage of the 19th century. Then, it was the period that great change progressed over politics, society, economy, and culture in Chosun(朝鮮). Especially, from the view-point of literature, it was more confused period due to Moonche-banjung(文體反正) that Chungjo(正祖) promoted. Lee, Ok persisted in the prose of short piece style regardless of the strict stylistic sanction of Chungjo(正祖) as a figure who became an issue due to Moonchebanjung(文體反正). Playing record by Lee Ok which has these features shows the aes-thetic feature to be the refusal for wholeness and the capture of everyday life. This is caused by own character of Lee Ok to get out of center and to be absorbed in daily life. Refusal for wholeness is revealed with 3 kinds of forms. Then, first is that it handled the material to get out of center which was not handled in existing playing record. Second is that it threw away existing fixed idea and recognized diversity. Last is that it reconstituted from Lee Ok's viewpoint by seeing the world from the angle which is different from general viewpoint and disassembling. And Lee Ok had excellent talent for catching and recording daily life on the spot of concrete life. Lee Ok caught situation exactly with objective sight from the viewpoint of observer and laid emphasis on translating it into writing one by one and used the language of daily life. And, he maximized scene, adding vividness and reality to scene, by using conversational style. In this thesis, this researcher tried to discover the meaning and value of playing record by Lee Ok by examining the aesthetic feature of playing record by Lee Ok. Lee Ok prepared the great turning point in the literary world of latter period of Chosun(朝鮮) in that he made the playing record to advocate the individualistic value to get out of center by getting out of style and norm. Furthermore, it is deemed that it became the starting point to enable the society of latter period of Chosun(朝鮮) to recognize diversity. This is the meaning and value of playing record by Lee Ok.
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