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三唐派 Paek Okbong’s the world of Buddhism Poetry
Journal of Korean Classical Chinese Literature
Abbr :
한문고전연구
2010, 20(1), pp.49-74
DOI : 10.18213/jkccl.2010.20.1.002
Publisher : The Classical Chinese Literature Association of Korea
Research Area : Korean Language and Literature
2010, 20(1), pp.49-74
DOI : 10.18213/jkccl.2010.20.1.002
Publisher : The Classical Chinese Literature Association of Korea
Research Area : Korean Language and Literature
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A poetical style in the late Goryeo and the early Joseon was formed the mainstream of the Song dynasty’s poetic style including Su Dongpo. From a year of King Seongjong, especially the Gangseo poetical style dominated momentarily even out of Song dynasty’s poetic style. Since now, a study of Paek Okbong’s has studied with a lot of interesting from people who are major in poetry literature. This report considered about the world of Buddhism poetry from a poet of 三唐派 Okbong Paek Kwang-hun’s(1537-1582)’s poetry world. Okbong is the main person who worked on positive lines in history of Korean poet’s Mokneungseongse, when turning point from 宋詩風 to 唐詩風, he aggressively accepted 唐詩風 at the time of psychological, political background. So, this is a main point of this report; previous study of Okbong’s poetry had deeply considered the sides of stage that strongly emulate of 唐詩風’s as a poet of 三唐派 and couldn’t classify even mixed up with 唐詩, but not considered the study of Buddhism poetry. Based on these backgrounds, I tried to approach to world of Okbong’s poetry newly which is not considered before through contemplate and divide his poetry as 交遊 with monks, 反觀 of Buddhism.
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