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A Study on Acceptance of Tang(唐) Poetical Style by Cheonglyeon(靑蓮) Lee Hu-Baek(李後白) - Focusing on the analysis of poetic diction and materials
Journal of Korean Classical Chinese Literature
Abbr :
한문고전연구
2014, 29(1), pp.93-123
DOI : 10.18213/jkccl.2014.29.1.004
Publisher : The Classical Chinese Literature Association of Korea
Research Area : Korean Language and Literature
2014, 29(1), pp.93-123
DOI : 10.18213/jkccl.2014.29.1.004
Publisher : The Classical Chinese Literature Association of Korea
Research Area : Korean Language and Literature
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This study was designed to examine acceptance of Tang(唐) poetical style, focusing on the analysis of poetic diction and materials that were used in Jeolgu(絶句) of Cheonglyeon(靑蓮) Lee Hu-Baek(李後白, 1520~1578). On external characteristics of Cheonglyeon(靑蓮) Tang(唐) poetical style, he had an interest in an aesthetic sense of contraposition and showed a strong feature in it. Therefore, contraposition was used in 17 Su(首) of Jeolgu(絶句), and poetic diction suitable for lyrics and scenery were frequently used. In particular, poetic diction proper for ‘clear[淸]’ style of work composition was frequently used. Cheonglyeon(靑蓮) perceived the scenery of the season such as Japanese apricot flower as a representation of home. In a scenery poem, he realized a ‘clear and unique[淸奇]’ style of literary world by making a contrast between clear and fresh poetic diction and the impression of colors. Moreover, ‘Gyuwon(閨怨)’, or legends and names of location of Joseon were boldly made into works. Tang(唐) poetical style of Cheonglyeon(靑蓮) was greatly realized in Jeolgu(絶句), and lyrical mood and view of Tang(唐) poetical style was realized as well. However, contrastposition was overly used and his poems remained as a simulation of Tang(唐) poems. Nevertheless, status of Cheonglyeon(靑蓮) needs to be shed new light on as a pioneer in learning Tang(唐) along with Saam(思庵) Park Soon(朴淳).
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