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Regional Imagery Patterns and Its Meaning in JungJae, Ryu Chi-Myeong's 『Kwanseo Yurok』 Official Records
Journal of Korean Classical Chinese Literature
Abbr :
한문고전연구
2020, 40(1), pp.115-145
DOI :10.18213/jkccl.2020.40.1.004
Publisher : The Classical Chinese Literature Association of Korea
Research Area : Korean Language and Literature
2020, 40(1), pp.115-145
DOI :10.18213/jkccl.2020.40.1.004
Publisher : The Classical Chinese Literature Association of Korea
Research Area : Korean Language and Literature
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Ryu Chi-myeong's 『Kwanseo Yurok』 examines the situation and relationship in various aspects such as social, political, economic, and cultural aspects of Pyeongan-do and the characteristics of the primary Yurok, which records the impressions and excitement of the ridges and scenic spots in the Kansai region. It also reflects reality perception, such as directly or indirectly. 『Gwanseo Yurok』 shows the historical value through historical technology. This is revealed realistically through the combination of history and literature. Ryu Chi-myeong is the ideological figure of the Joseon Confucian, who is the origin of Myohyangsan, Gija who spread civilization in the East, Hwangseong, Song Dynasty, Huijong and Heumjong, and Orangka's Ogukseong. Revealed without adjustment. In addition, introduced representative gangs and Kanghak spaces in the Kwanseo region, and expressed his regrets and feelings in a sincere and calm tone. Ryu Chi-myung's 『Kwanseo Yurok』 can be recognized as a literary value in various meanings and intentions, such as knowing the government office area properly and taking time for self-reflection as a wooden building, not a description of a simple go sightseeing.
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