2007, Vol., No.22
1.
Lee Friedlander’s New Documentary photography within the context of the late 1960’s American society
강인혜 | 2007, (22) | pp.7~36 | number of Cited : 02.
A Study on Robert Irwin's Architectural Sculpture
Imshil Hong | 2007, (22) | pp.37~62 | number of Cited : 33.
From Melancholy to Mourning: Historical trauma in the artworks of Anselm Kiefer
전진성 | 2007, (22) | pp.63~104 | number of Cited : 84.
The Stieglitz Circle, Early American Modernism, and the Use of Psychological Theories
Eunyoung Cho | 2007, (22) | pp.105~139 | number of Cited : 15.
Die Logik des Bilde in der Modernen Kunst bei Gottfried Boehm
김승호 | 2007, (22) | pp.141~166 | number of Cited : 16.
Memory, Desire, and Spectacle: the Making of the National Museum of Contemporary Art in Korea
양은희 | 2007, (22) | pp.167~198 | number of Cited : 57.
A study on the public interest of the art museum under the changing cultural situations
Seon-Ryeong Cho | 2007, (22) | pp.199~232 | number of Cited : 148.
Mapping the East in the Universal History of Art
Murai Noriko | 2007, (22) | pp.233~253 | number of Cited : 19.
Museum as Powerhouse: Museum Performance in 21st Century Taiwan
Lai Ying-Ying | 2007, (22) | pp.255~270 | number of Cited : 010.
Minjung Art as Space of Hybridity
Nan Ji Yun | 2007, (22) | pp.271~311 | number of Cited : 2011.
Music, Noise, and Silence : Sound in Modern Art
Jieun Rhee | 2007, (22) | pp.313~343 | number of Cited : 10