Journal of History of Modern Art 2021 KCI Impact Factor : 0.88
2015, Vol., No.37
1.
“Nomadic Readymade” in Chinese Contemporary Art: Ai Weiwei and Ni Haifung
Dong-Yeon Koh | 2015, (37) | pp.7~33 | number of Cited : 32.
3.
The Relation between Surface-Assemblage of Screen and Spectatorship: Doug Aitken and Tacita Dean
gu an | 2015, (37) | pp.69~94 | number of Cited : 24.
Visualization of Music: Synaesthesia and Schonbergian Genealogy in Visual Art
Gyung Eun Oh | 2015, (37) | pp.95~119 | number of Cited : 75.
Carolee Schneemann’s Performance of the 1960s and Reproduction of Sabbat
LeeMoonJung | 2015, (37) | pp.121~152 | number of Cited : 06.
Two Different Approaches of Artists in the Neo-Liberal Era: Damien Hirst and Felix Gonzalez-Torres
Seunghyun Lee | 2015, (37) | pp.153~177 | number of Cited : 17.
Exploring the Topological Implications of Minimalist Tautology: Mel Bochner’s “Less is Less”
Jung, Eun Young | 2015, (37) | pp.179~201 | number of Cited : 18.
Video Art and Actualization of Time: “The Illusion of Immediacy” and “the Real-Time Effect”
Seon-Ryeong Cho | 2015, (37) | pp.203~222 | number of Cited : 19.
The Trace of Presence-Absence: About the Contemporary Usage of the Shadow
Eui-Jung Han | 2015, (37) | pp.223~245 | number of Cited : 410.
Descriptions of the Cultural Revolution in Early 1990s Chinese Film and Painting
Ha Yoon Jung | 2015, (37) | pp.247~271 | number of Cited : 0