This is a formcritical approach to tanformation "Jeongsukga". A koryo folksong put on a Court music books of the Yi-dynasty period on reformed record. "Jeongsukga" is a work of koryo folksong. "Jeongsukga"put on a Court music books of the Yi-dynasty period on reformed record. this is a change of Sitz im Leben. An original koryo folksong "Jeongsukga" is transformed into a Court musics by a music master of the Yi-dynasty. According to his an intentional transformation, an original koryo folksong "Jeongsukga" is reformed not only form but also meaning. Original "Jeongsukga" consists of a verse in four line, but a Court musics of the Yi-dynasty consists of a verse in six line. A Court musics of the Yi-dynasty "Jeongsukga" is put in an epilogue and a prorogue. It is repeated a line of a poem. Such as repetition exist in all verse.According to his an intentional transformation, there is change in the meaning of contents. The context meaning of original koryo folksong "Jeongsukga" consist in endless love the other sex, but transformational Court musics "Jeongsukga" consist in Royalty to one's soveregin.
A study on the discourse function of 'Cham' to discourse mark in Korean language.
The purpose of this thesis is to consider a characteristic of 'Cham' as an interjection and the function of it as a discourse mark in everyday Korean language.
'Cham' function as an interjection in sentence, also its faculty is changed its meaning and function by the intonation or situation.
The discourse function of 'Cham', the discourse mark is various as "the beginning of discourse, an attention, realization, expressing emotions of speakers, diversion of topic" by the situation.
'Cham' is unnecessary in meaning of sentence, but it is a necessary linguistic form to communicate the purpose or intention of discourse to the listener with effective.