KJC Korea
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This study aimed to investigate place name notations where correspondence was found between Chinese characters and Korean recorded in Jindo-gun of The 『JoseonjijiJaryo』. For this study, original texts were classified according to kinds and errors in notations were corrected. Then, notations of multi-place names where correspondence was found between Chinese characters and Korean were investigated and phonological phenomena and dialects reflected in place names were interpreted. It was assumed that erroneous notation was caused by simple errors in recording in consideration of correspondence of Chinese characters to Korean. However, misspelling and phonological phenomena were differentiated from notations reflecting dialects. Notation of proper place names in Chinese characters was made by the borrowed notation. Place names were divided into front part and rear part to interpret the borrowed notation. Chinese reading, phonetic notation, Korean reading and meaning borrowing were used. In Korean and Chinese place names, addition or omission were investigated. In respect to the notation of monophthongized ‘ae’, ‘ʌy[]’ was actively used in notation of native words. In the notation of final consonants, ‘siot’ appeared as the realization type of [t] and inter siot rarely appeared. When ‘eo[ㅓ] and woo[ㅜ]’ were connected under siot[ㅅ], jieut[ㅈ], and chieut[ㅊ], they were notated 􋺷조선지지자료(朝鮮地志資料)􋺸 진도군의 지명 표기 고찰 37 as diphthongs while when double vowels were connected, they were not notated as diphthongs. Word-Initial Glottalization was found in ‘Ssak’ of Sark(meaning a wildcat) and ‘Ssa’ of Sai(meaning between). Notation of word-initial consonant clusters were used for ‘, ,  and ’, and ‘ and ’ were reflections of word-initial glottalization while ‘ and ’ were notations of fortis. In addition, diverse phonological phenomena appeared although it was only in part of the relevant records; k[ㄱ]-palatalization, liquidization, Umlaut, substitution of monphthong and monophthongization of diphthong. Jeonnam dialects appearing in place names were Bangae[碓], Daepori[竹葉], Galmi[鷗], Borigʌy[連枷/連耞], Bawu[巖], Speol[鹵], Dere[野], Gat[邊], Solki[鳶], Dolpak[石], Naet[川], Won[堰] and Yeoleol[十日].

The purpose of this study was to analyze the types and meanings of reduplication used in the Chinese poetry of Cheongeum Kim Sang-heon. Cheongeum reinforced the meaning of the poem she wanted to say by using 205 reduplication in a total of 624 times in 1,675 one poem. The overlapping vocabulary is intended to effectively express the poet's feelings and poetic mood by using various methods of spies, such as nouns, rhetoric, verbs, and adjectives. There is also a tendency to prefer certain squid. As shown in <Table-2> above, the 17 vocabularies in the top 10 that show the most frequency among all suppositions are high enough to reach 41% of the total number of uses. It was found that they were used in the meaning of expressing the poet's emotions or a lonely atmosphere, expressing the fleeting time or the passage of time, expressing the turbulent world affairs, and expressing a psychologically infinitely distant state.

This thesis examines the characteristics of the narrative development in <Banghanrimjeon> and finds its literary meaning. While accepting the material of women disguised as men in the existing hero novels, we examine the narrative background in which the subject matter of same-sex marriage could be inserted. The first narrative quality is that appearance and action appear to be proportional. The reason that Bang Kwan-ju was able to finish the final narrative with a heroic figure was because the masculine figure and actions were proportional. Young hye-bing, who agreed to same-sex marriage, also shows the proportionate nature of appearance and behavior. This work revolves around the narrative that the special way of life of same-sex marriage exists in the world and that all humans are noble. The characteristic of the second narrative is that it develops with a complex mix of opposing emotions. The main character of <Banghanrimjeon> is a woman, but she lived with the opposite attitudes and emotions of being a man. Just as Bang kwan-ju lived a double life of a woman and a man and lived in mixed emotions, Young hyeBing lived as a woman in the Joseon Dynasty, dreaming of freedom beyond that era. It is because of these conflicting emotions that <Banghanrimjeon> was able to focus on same-sex marriage and also appeared as a novel in the 19th century. The third characteristic of the narrative is that the main character uses a material that does not live long by changing it into a material that will live long. <Banghanrimjeon> is a work that properly arranges the material in which the main character of the biographical novel does not live long and the material in the heroic novel where the main character lives for a long time. <Banghanrimjeon> enjoys happiness such as expression of free will, career advancement, and beautiful marriage, but the process of Bang kwan-ju's re-entering the male world changes it to a life that does not last long. Through this short-lived life, it focuses on “the great discovery of a man, not a woman.” <Banghanrimjeon> uses these three narrative qualities to correct the confused emotions of Bang kwan-ju and Young hye-bing. In the meantime, while accepting the conservativeness of the existing heroic novels, it embodies the literary meaning of this work by adding romance. In order to persuade 'same-sex marriage', it is a work that embraces the conservativeness of existing heroic novels, but balances romanticism with aspirations for a new life.

Today, Due to COVID-19, Digital media-based technical ability are emerging as a new paradigm. Cultural content has entered an era of innovative and diverse expansion. However, Is the local literature museum sensitive to the technology of digital media in this era? I sensed the urgent need to change and seek various contents for the popularization of local literature museums today. This is because the local literature museum should make the development of new content a task at hand to revitalize the public. I seriously asked what direction the local literature museum should go in this era and devised a plan. I suggested the ‘Metaverse Literature Museum’. This is because I see the most suitable expression technology for breaking the boundaries of local literature museums and creating programs where literary people and visitors interact with each other as Metaverse. Now, The local literature museum can open a virtual reality literature museum using augmented reality and virtual reality platforms by creating an access address and space for the local literature museum on the Metaverse platform. Programs such as performances, education, exhibitions, and experiences are available on the Metaverse platform. Now, you can try to change the expression technology and enjoyment method of literary works at the local literature museum. The most important point at this point is the collaboration between workers related to literature museums or local culture and artists and digital media content development experts. Only then can the development of digital media content at local literature museums be implemented. It is hoped that digital media will form various expression methods and spread to personalized literature centers tailored to digital media. Therefore, it is expected that the public's accessibility can be increased by revitalizing local literature halls through the application of digital media technology. In addition, it is expected that changes will be triggered in the way local literature museums are promoted, educated, and operated, and the aspect and support of specialized programs. Now, The local literature museum needs an attitude to counter changes according to the trend of the times.

The purpose of this study was to investigate the effect of the jigsaw task on the improvement of Korean listening ability and affective attitude in the Korean listening class for foreign students. First, it was confirmed that the listening ability improved as the jigsaw task progressed repeatedly. Second, as a result of a survey on learners' affective attitudes and responses, learners showed a very positive response to the jigsaw task when comparing before and after the class. The perception of Korean listening itself changed positively after class, and the confidence in Korean listening, class participation, and preference for listening class such as jigsaw task increased significantly. In addition, more than half of the respondents said that the jigsaw task directly helped improve concentration and listening skills. The preference for the listening class through the jigsaw task as a cooperative learning and speaking integration was also high, suggesting that the jigsaw task is positive in the learner evaluation in the listening class. Thereafter, follow-up studies on the number of jigsaw tasks, input level, and selection of listening materials to apply the jigsaw task to the undergraduate listening class should be continued.

It is a consensus in grammar research that a sentence is composed of two parts: proposition, which expresses objective facts, and modality, which expresses the speaker’s subjective modality. Therefore, a good command of modal expression can better promote and enhance the interpersonal communication ability of Korean learners. There are many differences in grammar between Korea and Chinese in the expression of modality. This difference will affect Chinese Korean learner’s learning of Korean modal expression. Therefore, it is necessary to conduct a comparative study on the grammatical items representing modality in Korea and Chinese. Modality is traditionally classified as ‘epistemic modality’ and ‘non-epistemic modality’. Based on the theory of ‘epistemic modality’, this study selected the modal expression of probability as the research object. From the three aspects of ‘meaning’, ‘form’ and ‘pragmatics’, the comparative study of complete structure of Korea for probability and Chinese modal verb is conducted. The purpose is to provide basic information for Chinese Korean learners in their education around the expression of probability.

The purpose of this study is to examine Korean loanwords of which pronunciation is similar to Japanese by analyzing Japanese Korean learners’ pitch patterns with objective values. Considering the point that in Japanese, a word’s accent is maintained in a sentence while in Korean, it is not kept in a sentence, this researcher performed an experiment on loanwords by dividing the cases of sentence unit speech from those of word unit speech. According to the results of analyzing sentence unit speech, in the parts where postpositions are combined, Japanese, the mother tongue’s pitch patterns have negative influence. In the case of single word utterances, a significant difference was found due to the difference in the descending width rather than the difference according to the pattern type. The findings of this study imply that when teaching Japanese learners about Korean pitch patterns, we should consider the phenomena of mother tongue transfer shown in different forms according to the environment of speech and also words’ pitch patterns along with combined postpositions’ pitch patterns.