2007, Vol.26, No.
1.
Le monde sensible en tant qu'tre de la chair et la mtaphore
Chung Chee Eun | 2007, 26() | pp.5~34 | number of Cited : 12.
Esthetics of Sentir according to Henri Maldiney
sooeun huh | 2007, 26() | pp.35~55 | number of Cited : 03.
Dialectic of Mimesis and Rationality in Adorno’s Aesthetics
Junsik Won | 2007, 26() | pp.57~83 | number of Cited : 74.
L'effet hystrique dans Faces de John Cassavetes
정락길 | 2007, 26() | pp.85~113 | number of Cited : 25.
A Study of the Concept of Subject by Lacan: From Imaginary Signifier to a Traumatic Real
김시무 | 2007, 26() | pp.115~150 | number of Cited : 46.
A Study of the Concept of Subject by Lacan: From Imaginary Signifier to a Traumatic Real
Han Sang-jung | 2007, 26() | pp.151~176 | number of Cited : 37.
8.
Zur Entfaltung von Hegels Berliner sthetik: in bezug auf die These vom Ende der Kunst
Han Dong Won | 2007, 26() | pp.209~235 | number of Cited : 89.
A Study on the Theory of Th. W. Adorno’s Modern Music: From the Point of Non-Conceptual Knowledge
Suh,In-Jung | 2007, 26() | pp.237~262 | number of Cited : 010.
11.
The unsensible resemblance in modern arts and the problem of the inner reality
Lee Joo Young | 2007, 26() | pp.301~346 | number of Cited : 312.
Establishment of Modern ‘Science of Art’
Joosik Min | 2007, 26() | pp.347~376 | number of Cited : 113.
14.
L'Etude sur la intertextualit entre des littratures et des arts plastiques
Shin, Hye-Kyung | 2007, 26() | pp.415~442 | number of Cited : 6