On the Basis of Georg Simmel’s Philosophy of Art
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The task of this paper is firstly to examine the formation of Simmel’s philosophy of art, secondly to inquire his critical thinking on the contemporary art circumstances, and thirdly to consider the outcome of his art philosophical study connected with modernity or modern life. Georg Simmel has been known to Korean academic world mainly as a sociologist. His broad scope of philosophical thinking was hardly noticed. However, in present Europe and America, the study on Simmel’s philosophy of art is especially extending. The influence and the significance of Simmel’s philosophy is very important in these days. His philosophy relieved from German conceptualism and hold abundant artistic sensibility. His writings on Goethe and Rembrandt was evaluated as useful devices for German Gymnasium education. Although his period has become a distant past, the critical mind on the modern way of life could be sympathized with us. He is belong to the school of Lebensphilosophie together with Nietzsche, Bergson and Ortega y Gasset. He opposed to rationalism, intellectualism and Kantianism. Some peculiarities of his philosophy can be enumerated as following. Firstly, the noble and refined liveliness with urban atmosphere. Secondly, the uncomparable uniqueness and subtlety of his viewpoint. Thirdly, the moving power of increasing curiosity. His concern on artistic culture was broadly crossing on various genre of art such as music, painting, sculpture and literature. There is a linkage between his artistic acquirement and Lebensphilosophie. And also there is a sociological viewpoint. Simmel has aspired to study various problems of artistic world from early days to his later. He was inclined to psychological and ethnological researches at the beginning, and afterward moved to philosophical one. And he aimed to accomplish his own philosophy of art at his later years. Unfortunately, he cannot succeed on the accomplishment owing to the outbreak of the Second World War. As we can know from his continuing writings, he retained a wide-ranging artistic knowledge comprising not only Western art but also Chinese and Japanese arts. His plan to write his Philosophy of Art must be a magnificent scale including the exceptional problems which could not be accepted by his contemporary European aesthetics. And we should not fail to notice his sociological viewpoint to manage the individual and the society in his philosophy of art.
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[journal] Simmel / 1892 / Die Probleme der Geschichtsphilosophie / Georg Simmel Gesamtausgabe Bd. 2
[other] Simmel / 1916 / ein kunstphilosophischer Versuch, Leipzig: K. Wolff, 1916
[other] Simmel / 1913 / Aufl., Leipzig: Klinkhardt & Biermann, 1923
[book] Simmel / 1922 / Zur Philosophie der Kunst: philosophische und kunstphilosophische Aufsätze / Gustav Kiepenheuer
[book] Simmel / 1923 / Philosophische Kultur: gesammelte Essais, 3. Aufl. / G. Kiepenheuer
[book] Simmel / 1957 / Essays des Philosophen zur Geschichte, Religion, Kunst und Gesellschaft / K. F. Koehler
[book] Simmel / 1923 / Fragmente und Aufsätze: aus dem Nachlass und Veröffentlichungen der letzten Jahre / Georg Olms : 1967~
[book] Simmel / 1917 / Der Konflikt der modernen Kultur: ein Vortrag / Duncker & Humblot
[journal] Simmel / 1999 / “Psychologische und ethnologische Studien über Musik”(Zeitschrift für Völkerpsychologie und Sprachwissenschaft, 13, 1882) / Georg Simmel Gesamtausgabe 1, Das Wesen der Materie nach Kant’s Physischer Monadologie
[journal] Simmel / 1968 / “Soziologische Ästhetik” / Gesamtausgabe, Bd. 5, Suhrkamp : 197~214
[book] Boehrnger, H / 1976 / Äesthetik und Soziologie um Hahrhundertwende: Georg Simmel. Das individuelle Gesetz / V. Klostermann
[book] Dörr / 1993 / Die Kunst als Gegenstand der Kulturanalyse im Werk Georg Simmels / Duncker & Humblot
[other] Frisby / 1994 / Georg Simmel: Critical Assessments, Vol.Ⅰ-Ⅲ, Routledge, 1994
[journal] Frisby / 1985 / “Georg Simmel, First Sociologist in Modernity” / Theory, Culture and Society 2 : 49~67
[book] Frisby / 1988 / “Die Ambiguität der Moderne: Max Weber und Georg Simmel” in Max Weber und seine Zeitgenossen / Vandenhoeck & Ruprecht : 580~594
[journal] Davis / 1973 / “Georg Simmel and the Aesthetics of Social Reality” / Siocial Forces 51 : 320~329
[book] Landmann, M. / 1958 / “Bausteine zur Biographie” in Buch des Dankes an Georg Simmel. Briefe, Erinnerungen, Bibliographie. Zu seinem 100. Geburtstag am 1. März / Duncker & Humblot : 11~33
[book] Lukács, G. / 1918 / “Erinnerungen an Georg Simmel” in Buch des Dankes an Georg Simmel. Briefe, Erinnerungen, Bibliographie. Zu seinem 100. Geburtstag am 1. März 1958 / Duncker & Humblot : 171~176
[other] Nisbet, R. / 1976 / Sociology as an Art Form, Oxford Univ. Press, 1976
[book] Simmel / 1976 / “Auszüge aus den Lebenserinnerungen” in Ästhetik und Soziologie um die Jahrhundertwende / V. Klostermann : 247~268
[journal] Smitmans-Vadja / 1997 / Die Bedeutung der bildenden Kunst in der Philosophie Georg Simmels / Shaker-Aachen
[journal] Tenbruck, F. H. / 1958 / “Georg Simmel(1858-1918)” / Kölner Zeitschrift für Soziologie und Sozialpsychologie . : 587~614
[book] 게오르그 짐멜 / 2005 / 『짐멜의 모더니티 읽기』 / 새물결
[book] 게오르그 짐멜 / 2007 / 『게오르그 짐멜의 문화이론』 / 도서출판 길
[book] 게오르그 짐멜 / 2007 / 『예술가들이 주조한 근대와 현대, 미켈란젤로․렘브란트․로댕』 / 도서출판 길
[book] 김덕영 / 1999 / 『현대의 현상학: 게오르그 짐멜 연구』 / 나남출판
[book] 김덕영 / 2007 / 『게오르그 짐멜의 모더니티 풍경 11가지』 / 도서출판 길
[journal] 노희직 / 2003 / 「게오르그 짐멜의 문화철학」 / 『독일문학』 / 한국독어독문학회 6 : 149~159
[journal] 박성환 / 1999 / 「‘문화적 근대’의 본질과 특성: 짐멜의 ‘사회학적 미학’을 중심으로」 / 『한국사회학』 33(4) : 25~57
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