The image of migrant-oriented women in the writing of Yan Geling

朴馬利阿

doi:10.16874/jslckc.2010..23.011

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The Journal of Study on Language and Culture of Korea and China 2021 KCI Impact Factor : 0.07

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pISSN : 1738-0502 / eISSN : 2635-4373

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The image of migrant-oriented women in the writing of Yan Geling

The Journal of Study on Language and Culture of Korea and China
Abbr : JSLCKC
2010, (23), pp.229-251
DOI : 10.16874/jslckc.2010..23.011

Publisher : Korean Society of Study on Chinese Languge and Culture
Research Area : Chinese Language and Literature

Published : June 30, 2010

朴馬利阿 ¹

¹大真大學

ABSTRACT
열림/닫힘 버튼

In the subjective experience of the image of migrant-oriented women under the pen of Yan Geling toward their personal life-volition, close attention of this author to the individual awareness of women is implied. Compared with other overseas Chinese writers, Yan Geling has always been attaching importance to the intrinsic disposition of female life. Therefore, while molding the image of migrant-oriented women, she endeavors to explore the self emotions and self-contradictions deep in the soul of women, by turning aside such stereotyped propositions as “the foreordination and fate-resignation of women”. In special overseas life, the homeless and forlorn emotion and life experienced by migrant-oriented women have reinforced the aesthetic force of this novel. Migrant-oriented women under the pen of Yan Geling hold fast to self-consciousness, face human nature directly in reality, or even would not hesitate to turn themselves against stereotypes in order to safeguard their perceptual egos. These contents and profound connotations have endowed the novel with a profound sense of contemporaneity.
KEYWORDS
열림/닫힘 버튼

The image of migrant-oriented women, rebuild women, facing human nature directly, turning against stereotypes

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