Freehand Brushwork in Traditional Chinese Cultural Ideal about Rural Ecology - Chinese Poetic Writing And Reality Freehand Brushwork about “Border Town” And “Shang Zhou”

Zhu Ling

doi:10.16874/jslckc.2015..39.014

KJC Korea
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The Journal of Study on Language and Culture of Korea and China 2022 KCI Impact Factor : 0.17

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pISSN : 1738-0502 / eISSN : 2635-4373

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Freehand Brushwork in Traditional Chinese Cultural Ideal about Rural Ecology - Chinese Poetic Writing And Reality Freehand Brushwork about “Border Town” And “Shang Zhou”

The Journal of Study on Language and Culture of Korea and China
Abbr : JSLCKC
2015, (39), pp.355-375
DOI : 10.16874/jslckc.2015..39.014

Publisher : Korean Society of Study on Chinese Languge and Culture
Research Area : Chinese Language and Literature

Published : October 31, 2015

Zhu Ling ¹

¹中国山东大学

ABSTRACT
열림/닫힘 버튼

Shen congwen and Jia pingwa are full of preference and bakeries in rural ecological world xiangxi and shangzhou. There is the modern thinking to the development of human civilization and the profound reflection of the national culture psychology. Shen congwen used in poetic discourse writing rural ecological against urban decay, indifference and evil; while jia pingwa is trying to free from the era mainstream discourse and get rid of the control the text by the ideology,so as to build the idea of a “holy land”. They played the role of successor of the Chinese traditional aesthetics and aesthetic ideal and future oriented culture pioneer. At the same time they resolutely resist the ills of modern urban civilization bringing to pollution and invasion for the pure local. They write “the spirit of the earth” in poetic aesthetic spirit,at the same time cling to the moral order of traditional culture in the rural world.
KEYWORDS
열림/닫힘 버튼

Rural Ecological, Xiangxi and Shangzhou, Poetic Writing, Reality Enjoyable

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