This Society has maintained its status as a registered journal for 15 years since it was selected as a registered site on 01.01 2006. Until now, academic capabilities have been continuously developed through re-evaluation conducted every two or three years. The area of study subject to this conference is the field of alienation research. It targets a wide range of literary works including Korean poetry and Korean poetry. It is also pursuing an external expansion into poetry culture, not limited to literary research. It is continuously expanding its research area to regional and municipal cultural phenomena and cultural contents accordingly. It also aims to systematically investigate, organize and study the heritage of Korean poetry culture to understand the reality of Korean traditional culture, reveal its value, and further contribute to the development of Korean studies.
This paper is an analysis of the nature and meaning orientation of the work of <Oryeon-ga>, which was first reported to academia in 2016. Furthermore, I want to understand the poetry literature history of this work more anew. Created by Lee Bokgil, a rural gentleman in Haenam, <Oryeon-ga> can be understood as a prototype of "A song that People love each other" as an analytical result of prior research. However, if you look at the work more closely, you can see it differently. Consisting of ten stanzas, the work has the characteristics of a poem written by Lee Bokgil to his wife, Ms. Haemi-baek.
However, the characteristics of this work are more complicated. This is because the creative situation of this work is not explicitly revealed. Therefore, it is highly likely to be interpreted in a variety of ways depending on the researcher's interpretation point of view. In our study, the author, Lee Bokgil, is different from a prior study that interprets him as a poetical speaker. This work was judged by Ms. Haemi-baek as a poetical speaker. The basis for this work is the compilation of 『Jeongabibo』, the expression of emotion, and the use of words.
From this point of view, this work has the poetic nature of the couple's affection, in which Ms. Haemi-baek responds to Lee Bokgil's love poem. Of course, the writer is half-way, but it is believed that the speaker was designated as Ms. Haemi-baek, so it was possible to have this poetic utility. From this point of view, the poems published in 『Jeongabibo』 have the form of a mixed genre poem, and it can be said that the history of Korean classical poetry has been opened.
This thesis is to briefly discuss the events that Lim Eok-ryeong spent in Seongsandong(星山洞) and the possibility of the cultural contents of Shikyoungjung(息影亭)'s signboard as a test. Lim Eok-ryeong lived until the age of 73. He came up from him hometown Haenam to receive the teachings of his teacher, Nuljae Park Sang. He speculates that he had a relationship for the first time when he came to Seongsandong, where Kim, Yoon-je lived, where he studied together at the time. He then passed the national exam and lived in her office, leaving the vice versa of Damyang at the age of 64 and descending to Seongsandong, not him hometown Haenam. There lived his wife Yang and his two daughters. There were junior writers who followed his himself. His Daughter's husband Kim Seong-won built a pavilion for himself, "Sikyoungjung," and spent his old age there. The fact that he remains close to 350 poems that sang the scenery of Seongsandong, I can say that Seongsandong is important in his life. Here, the presenter's attention was the existence of Lim Eok-ryeong's family, namely Yang's wife and two daughters. It can be said that Seongsandong, not his hometown, was possible because he had a family. To this end, in order to elevate the Seongsandong family of Lim Eok-ryeong, which was missed in the previous study, to elucidate, comparing and reviewing the Sunsan-Lim clan genealogy and the Jeju-Yang clan genealogy. The next is the possibility of Shikyoungjung's cultural contents. Sikyeongjeong is one of the representative pavilions representing Damyang, Jeollanamdo, and is famous enough to be called Ildongsamseung(一洞三勝) along with nearby Soswaewon(瀟灑園) and Hwanbyeokdang(環碧堂). The pavilion is not a simple structure, but a central space for cultural activities, and is a place where people of the day shared their conversation. It can be said that the signboard hanging in the pavilion as well as the natural environment in the near and distant places with the center of the pavilion is a prototype of cultural content that can be reconstructed as a storytelling element.
The Chinese poetry of Myeonang(俛仰) Songsun(宋純) was not popular for a long time, but it was carried out in earnest after the 1990s. The existing research has revealed to some extent the various materials and themes of Myeonang Hansi(漢詩). Now, it is urgent to expand and deepen the scope of understanding with a diversified approach to the work. This article is a poetic consideration to explain the aesthetic characteristics of his poetry literature through the characteristic analysis of the speaker.
The key point of view first identified Myeonang Hansi in connection with the process of his life, and also attempted to consider the representative aspects of aesthetic characteristics related to poetic speakers. The speakers and aesthetic characteristics of Myeonang Hansi(漢詩) were divided into "self-confession speakers and integrity" and "governmental speakers and identity." Serious search for the truth of life and self-identification may not be all of the aesthetic qualities of poetry. In addition, it will be possible to raise the question of whether these two personalities can be clearly distinguished in the beginning. However, the point of view attempted to distinguish the two speakers, believing that they sometimes seem similar, but there are significant differences in their goals.
Based on the accumulated achievements, I think it is time to review the characteristics and literature of Honam(湖南) literary group. While reflectively digesting existing research, the analysis of the starting product will explain the characteristic situation of Honam(湖南) literature. In addition, it is a task for us to redefine their literary and historical status in a temporary context linking the early and late Joseon(朝鮮).