Choi, Gyeongchang (崔慶昌)'s Poetry World and Characteristics

Sun, Ji-young

The Old Meritorious Faction had bureaucratic literary view because of factional politics due to elite society splendid poetic techniques and difficult and distracted modification and new Neo-Confucian literati were opposed to techniques and sought the spiritual world of clear and clean literature of reclusive scholars (處士的) in the period that Gojuk (孤竹) Choi, Gyeongchang (崔慶昌,1539∼1583) lived. However, they tried to express ethical and free nature in the period. This thesis tried to examine the situations of the time, people's view of life, and values through Choi, Gyeongchang's works and seek his style (風格) shown in them. Because styles are the aspect that writers' personality or ideas are complexly embodied in their works, it is thought to investigate and reveal writers' literary status The works were examined by classifying them into a limited time of love, longing for fairylands, and criticism on reality according to subjects. First, there are many poems targeting love (戀情) in the works by Choi, Gyeongchang. The motive for creating the works like this is thought that women's delicate and rich feelings are naturally target of poetic expression because they accord with expression of his own romantic feelings. And the point that he longed for the heavenly world (仙界) is thought to be related to the flow of Sodan (騷壇) that got to imitate (模作) poems of wandering immortals (遊仙詩), one of literary circles of the time. And it is thought that he longed for and praised the transcendental realm as a way to solve frustrations and conflicts of reality. Choi, Gyeongchang (崔慶昌)'s poems have a clean and new (淸新) style (風格). Cleanness (淸) is generally fresh as well as clear and clean and is the style (風格) of poems related to descriptions of scenery or landscape or pure nature and furthermore, clear and beautiful scenes to feel the realm of immortals (仙境) or Seonchwi (仙趣) that transcended the everyday world. And poetic diction (詩語) used in the poems is thought to be characterized by the general use of pleonasm of two letters and image vocabularies and the utilization of everyday words in the works of music bureau ballad (樂府詩) series.

Citation status

KCI Citation Counts (0)
REFERENCES (16)
열림/닫힘 버튼
* 2021년 이후 발행 논문의 참고문헌은 현재 구축 중입니다.

[thesis] 김명주 / 1999 / 고죽 시의 품격 연구 / 석사 / 연세대학교

[thesis] 金順子 / 1986 / 孤竹崔慶昌硏究 / 석사 / 성신여자대학교 대학원

[thesis] 金鍊秀 / 1997 / 漢詩風格 연구 : 허균의 ‘국조시산’ 비와 평에 근거하여 / 석사 / 高麗大學校大學院

[journal] 김종서 / 1995 / 옥봉 백광훈 시의 풍격 / 한국한시연구 / 한국한시학회 3 : 189~229 / 쪽.(UCI:I410-ECN-0102-2009-810-002381368)

[journal] 金鍾西 / 2004 / The Style of Kojook(孤竹) Choi Kyeong-Chang(崔慶昌)’s Poems / 한국한시연구 / 한국한시학회 (12) : 227~266

[journal] 변종현 / 2001 / A study on the refinement of the Choi Kyungchang's poetry / 동양학 / 동양학연구원 (31) : 85~102

[journal] 안병학 / 1986 / 최경창의 시세계와 삶의 안정성에 대한 회의 / 태동고전연구 / 한림대학교 태동고전연구소 2 : 91~124

[book] 이수광 / 1973 / 지봉유설 / 아세아문화사영인

[book] 이종묵 / 2002 / 한국한시의 전통과 문예미 / 태학사

[journal] 정 민 / 1996 / 16,7세기 학당풍의 성격과 그 풍정 / 한국한문학연구 19 : 189~222

[journal] 鄭淑仁 / 2001 / 詩話集에 나타난 '淸新' 風格 / 어문연구(語文硏究) / 한국어문교육연구회 29(1) : 162~177

[thesis] 조영임 / 2004 / 삼당시인의 시세계 연구 / 박사 / 충북대학교 대학원

[book] 최경창 / 1990 / 고죽유고 / 민족문화추진회

[thesis] 최창주 / 2000 / 고죽 최경창의 시문학 연구 / 석사 / 조선대학교 대학원

[book] 허 균 / 1985 / 성소부부고 / 민족문화추진회

[book] 허 균 / 1980 / 국조시산 / 아세아문화사

KJC Korea
Journal Central

Statistics

Tools

Sharing

Issue List

Citation status