There are a total of 19 Pan Yu-liang’s self-portraits. The period of creation was mostly between 1924 and 1949, and several of the important works were completed in the second French stay period(1938~1949). In other words, she chose Diaspora-style life and concentrated on narrating her feelings about herself. “Self-excitation” refers to the choice I made when I could no longer maintain a normal life in China because of her past career in the process of teaching and writing after returning from studying in France.
The study of Pan Yu-liang was mainly done in the fields of biographical studies, novel studies, painting forms studies, and painting ideas studies. Previously, research on Pan’s self-portrait was considered only part of The study on Pan’s overall work. This paper divides Pan Yu-liang’s self-portrait into three stages, the first, we will talk about the entrance examination to stigma and prejudice and the declaration of ourselves; the second, we will talk about ‘idealized’ and ‘glorified’ self-image; the third, we will talk about self-esteem and transcendence. In three aspects, we will approach narrating her feelings about herself.
@article{ART002629348}, author={youngyeun ahn}, title={A Study of Pan Yu-liang’s Self-portraits}, journal={JOURNAL OF CHINESE STUDIES}, issn={1229-3806}, year={2020}, number={69}, pages={163-187}, doi={10.26585/chlab.2020..69.007}
TY - JOUR AU - youngyeun ahn TI - A Study of Pan Yu-liang’s Self-portraits JO - JOURNAL OF CHINESE STUDIES PY - 2020 VL - null IS - 69 PB - CHINESE STUDIES INSTITUTE SP - 163 EP - 187 SN - 1229-3806 AB - There are a total of 19 Pan Yu-liang’s self-portraits. The period of creation was mostly between 1924 and 1949, and several of the important works were completed in the second French stay period(1938~1949). In other words, she chose Diaspora-style life and concentrated on narrating her feelings about herself. “Self-excitation” refers to the choice I made when I could no longer maintain a normal life in China because of her past career in the process of teaching and writing after returning from studying in France.
The study of Pan Yu-liang was mainly done in the fields of biographical studies, novel studies, painting forms studies, and painting ideas studies. Previously, research on Pan’s self-portrait was considered only part of The study on Pan’s overall work. This paper divides Pan Yu-liang’s self-portrait into three stages, the first, we will talk about the entrance examination to stigma and prejudice and the declaration of ourselves; the second, we will talk about ‘idealized’ and ‘glorified’ self-image; the third, we will talk about self-esteem and transcendence. In three aspects, we will approach narrating her feelings about herself. KW - Pan Yu-liang;self-portrait;narrating her feelings about herself;idealized;glorified;self-esteem;transcendence DO - 10.26585/chlab.2020..69.007 ER -
youngyeun ahn. (2020). A Study of Pan Yu-liang’s Self-portraits. JOURNAL OF CHINESE STUDIES, 69, 163-187.
youngyeun ahn. 2020, "A Study of Pan Yu-liang’s Self-portraits", JOURNAL OF CHINESE STUDIES, no.69, pp.163-187. Available from: doi:10.26585/chlab.2020..69.007
youngyeun ahn "A Study of Pan Yu-liang’s Self-portraits" JOURNAL OF CHINESE STUDIES 69 pp.163-187 (2020) : 163.
youngyeun ahn. A Study of Pan Yu-liang’s Self-portraits. 2020; 69 : 163-187. Available from: doi:10.26585/chlab.2020..69.007
youngyeun ahn. "A Study of Pan Yu-liang’s Self-portraits" JOURNAL OF CHINESE STUDIES no.69(2020) : 163-187.doi: 10.26585/chlab.2020..69.007
youngyeun ahn. A Study of Pan Yu-liang’s Self-portraits. JOURNAL OF CHINESE STUDIES, 69, 163-187. doi: 10.26585/chlab.2020..69.007
youngyeun ahn. A Study of Pan Yu-liang’s Self-portraits. JOURNAL OF CHINESE STUDIES. 2020; 69 163-187. doi: 10.26585/chlab.2020..69.007
youngyeun ahn. A Study of Pan Yu-liang’s Self-portraits. 2020; 69 : 163-187. Available from: doi:10.26585/chlab.2020..69.007
youngyeun ahn. "A Study of Pan Yu-liang’s Self-portraits" JOURNAL OF CHINESE STUDIES no.69(2020) : 163-187.doi: 10.26585/chlab.2020..69.007