In Gwandong-byeolgok, a literary work of gasa written by Jeong Cheol, the theme is realization of the writer's self-consciousness as a hermit and the central axis of composition is pursuing and meeting four hermits of the Silla period for confirmation of his identity. In the denouement of the work, the writer confirms his identity as an exiled hermit from heaven by meeting four hermits in his dream, and recovers his original identity to certain extent.
The destination place of the writer's journey in the work would be the vicinity of Pavilion Weolsongjeong, not Pavilion Mangyangjeong, in various respects; it is the best background place for completing the writer's realization of the self-consciousness.
In the denouement of the work, the writer resolves crisis in the process of seeking-meeting hermits, concludes the event, and further goes on suggesting new station as a hermit at the terminal part. Through these, the writer completes the work and achieves closural effect. With excellent and effective expressions in the final aspect of the theme, the work leaves very strong impressions on readers.
@article{ART001500314}, author={Ho-Gyong Seong}, title={Destination Place in Gwandong-byeolgok and the Significance of Its Denouement}, journal={Journal of Korean Literature}, issn={1598-2076}, year={2010}, number={22}, pages={129-160}
TY - JOUR AU - Ho-Gyong Seong TI - Destination Place in Gwandong-byeolgok and the Significance of Its Denouement JO - Journal of Korean Literature PY - 2010 VL - null IS - 22 PB - The Society Of Korean Literature SP - 129 EP - 160 SN - 1598-2076 AB - In Gwandong-byeolgok, a literary work of gasa written by Jeong Cheol, the theme is realization of the writer's self-consciousness as a hermit and the central axis of composition is pursuing and meeting four hermits of the Silla period for confirmation of his identity. In the denouement of the work, the writer confirms his identity as an exiled hermit from heaven by meeting four hermits in his dream, and recovers his original identity to certain extent.
The destination place of the writer's journey in the work would be the vicinity of Pavilion Weolsongjeong, not Pavilion Mangyangjeong, in various respects; it is the best background place for completing the writer's realization of the self-consciousness.
In the denouement of the work, the writer resolves crisis in the process of seeking-meeting hermits, concludes the event, and further goes on suggesting new station as a hermit at the terminal part. Through these, the writer completes the work and achieves closural effect. With excellent and effective expressions in the final aspect of the theme, the work leaves very strong impressions on readers. KW - Gwandong-byeolgok(關東別曲);Jeong Cheol(鄭澈);destination place;the vicinity of Pavilion Weolsongjeong(越松亭);self-consciousness as a hermit;significance;denouement DO - UR - ER -
Ho-Gyong Seong. (2010). Destination Place in Gwandong-byeolgok and the Significance of Its Denouement. Journal of Korean Literature, 22, 129-160.
Ho-Gyong Seong. 2010, "Destination Place in Gwandong-byeolgok and the Significance of Its Denouement", Journal of Korean Literature, no.22, pp.129-160.
Ho-Gyong Seong "Destination Place in Gwandong-byeolgok and the Significance of Its Denouement" Journal of Korean Literature 22 pp.129-160 (2010) : 129.
Ho-Gyong Seong. Destination Place in Gwandong-byeolgok and the Significance of Its Denouement. 2010; 22 : 129-160.
Ho-Gyong Seong. "Destination Place in Gwandong-byeolgok and the Significance of Its Denouement" Journal of Korean Literature no.22(2010) : 129-160.
Ho-Gyong Seong. Destination Place in Gwandong-byeolgok and the Significance of Its Denouement. Journal of Korean Literature, 22, 129-160.
Ho-Gyong Seong. Destination Place in Gwandong-byeolgok and the Significance of Its Denouement. Journal of Korean Literature. 2010; 22 129-160.
Ho-Gyong Seong. Destination Place in Gwandong-byeolgok and the Significance of Its Denouement. 2010; 22 : 129-160.
Ho-Gyong Seong. "Destination Place in Gwandong-byeolgok and the Significance of Its Denouement" Journal of Korean Literature no.22(2010) : 129-160.