Can the Methods of Mono-ha (もの派) Realize the Being of Mono (もの) as a Work of Art?: Via the Phenomenology of Merleau-Ponty
DOI :10.17326/jhsnu.77.2.202005.435
Publisher : Institute of Humanities, Seoul National University
Research Area : Other Humanities
-
The name “Mono-ha” was given at the beginning of the 1970s by demeaning critics to the Japanese artists who formed a loose constellation around the theory of Mono, the latter term designating a specific understanding of the being of an immediate, literal thing or object. Their working method, expounded predominantly by Lee Ufan and Kishio Suga through texts and works, became a fast-spreading phenomenon in the Japanese and international art world. While most of these artists continue to work and exhibit independently to this day, the necessary philosophical research on the sole artistic motive of the constellation, namely the theory of Mono, remains largely insufficient. To address this issue, this article focuses on the role played by the phenomenology of Maurice Merleau-Ponty to which Lee turned to clarify the above method shared commonly by the artists. Merleau-Ponty’s phenomenology of perception not only brings to the fore the process by which the artists’ inquiry into Mono develops into their individual method, but also renders possible an ontology of Mono at the very core of their practice and philosophy.
-
[book] 김미경 / 2006 / 모노하의 길에서 만난 이우환 / 공간사
[book] 모리스 메를로-퐁티 / 2015 / 지각의 현상학 / 문학과지성사
[book] 오상길 / 2003 / 한국현대미술 다시읽기 III: 70년대 한국과 일본의 현대미술 담론 연구 2 / ICAS
[journal] 이우환 / 1975 / 만남(해후)의 현상학적 서설 — 새로운 예술론의 준비를 위하여, “한국예술의 80년대상 / 공간 (100) : 50~57
[book] 이우환 / 2002 / 여백의 예술 / 현대문학
[journal] Akira, Tatehata / 2002 / Mono-ha and Japan’s Crisis of the Modern / Third Text 16 (3) : 223~236
[book] Baek, Jin / 2009 / Nothingness: Tatao Ando’s Christian Sacred Space / Routledge
[book] Barbaras, Renaud / 2001 / De l’Être du Phénomène / Million
[book] Duchamp, Marcel / 2008 / Duchamp du Signe Suivi de Notes / Flammarion
[journal] Froger, Lilian / 2018 / L’Art Japonais autour de 1970: technologie, environnement, matière / Critique d’Art 50 : 137~160
[book] Krauss, Rosalind E / 1984 / The Originality of the Avant-Garde and Other Modernist Myths / MIT Press
[book] Lee, Ufan / 2011 / Marking Infinity / Guggenheim Museum : 123~
[book] Merleau-Ponty, Maurice / 1960 / Signes / Gallimard
[book] Merleau-Ponty, Maurice / 1964 / L’OEil et l’Esprit / Gallimard
[book] Merleau-Ponty, Maurice / 1964 / Le Visible et l’Invisible Suivi de Notes de Travail / Gallimard.
[journal] Roquet, Paul / 2007 / Reencountering Lee Ufan / Octopus: A Visual Studies Journal / 3 (Fall) : 85~98
[web] Suga, Kishio / 2005 / Between “Presence” and “Nothingness, in Kishio Suga’s Work from a Zen Perspective / https://static1.squarespace.com/static/59306e3829687fbb733819d1/t/5961dd081b631b7856860dbb/1499585801182/2005_Between_Presence_and_Nothingness.pdf
[book] Suga, Kishio / 2016 / Existence Beyond Condition / Pirelli Hangar Bicocca
[journal] Tomii, Reiko / 2013 / Six Contradictions of Mono-ha, Voices of Mono-ha Artists: Contemporary Art in Japan, Circa 1970 / Review of Japanese Culture and Society : 214~222
[journal] Yoshitake, Mika / 2013 / What Is Mono-ha?, Voices of Mono-ha Artists: Contemporary Art in Japan, Circa 1970 / Review of Japanese Culture and Society : 202~213
-
296
Viewed
Print this page
Download PDF