@article{ART001722380},
author={김정현},
title={Landscapes of Nationalist Empowerment: Fu Baoshi’s Re-appropriation of the “Chinese” Rainscape Tradition from Japan},
journal={Journal of History of Modern Art},
issn={1598-7728},
year={2012},
number={32},
pages={175-219},
doi={10.17057/kahoma.2012..32.006}
TY - JOUR
AU - 김정현
TI - Landscapes of Nationalist Empowerment: Fu Baoshi’s Re-appropriation of the “Chinese” Rainscape Tradition from Japan
JO - Journal of History of Modern Art
PY - 2012
VL - null
IS - 32
PB - 현대미술사학회
SP - 175
EP - 219
SN - 1598-7728
AB - Between 1932 and 1935 Fu Baoshi studied in Japan and soon after developed a style of landscape painting that incorporated elements of Japanese art and Japanese interpretations of China’s pictorial tradition. At the height of the war of resistance against Japan’s invasion,Fu produced powerful rainscapes comparable to those by several contemporary Japanese masters. These atmospheric scenes were metaphors of a land under assault, but their ties to the enemy nation highlighted the hybridity and ambivalence of a trans-Asiatic modernism.
Moreover, rainscapes by Fu Baoshi rivaled their Japanese counterparts in emotional intensity through brushwork and composition, proving that it was possible to engage Japanese influences without forgoing subjectivity and originality, which in the context of his time, was deeply nationalistic.
KW - Fu Baoshi;modern Chinese art;nationalism;Japan;rain;landscape painting;Sino-Japanese relations;war
DO - 10.17057/kahoma.2012..32.006
ER -
김정현. (2012). Landscapes of Nationalist Empowerment: Fu Baoshi’s Re-appropriation of the “Chinese” Rainscape Tradition from Japan. Journal of History of Modern Art, 32, 175-219.
김정현. 2012, "Landscapes of Nationalist Empowerment: Fu Baoshi’s Re-appropriation of the “Chinese” Rainscape Tradition from Japan", Journal of History of Modern Art, no.32, pp.175-219. Available from: doi:10.17057/kahoma.2012..32.006
김정현 "Landscapes of Nationalist Empowerment: Fu Baoshi’s Re-appropriation of the “Chinese” Rainscape Tradition from Japan" Journal of History of Modern Art 32 pp.175-219 (2012) : 175.
김정현. Landscapes of Nationalist Empowerment: Fu Baoshi’s Re-appropriation of the “Chinese” Rainscape Tradition from Japan. 2012; 32 : 175-219. Available from: doi:10.17057/kahoma.2012..32.006
김정현. "Landscapes of Nationalist Empowerment: Fu Baoshi’s Re-appropriation of the “Chinese” Rainscape Tradition from Japan" Journal of History of Modern Art no.32(2012) : 175-219.doi: 10.17057/kahoma.2012..32.006
김정현. Landscapes of Nationalist Empowerment: Fu Baoshi’s Re-appropriation of the “Chinese” Rainscape Tradition from Japan. Journal of History of Modern Art, 32, 175-219. doi: 10.17057/kahoma.2012..32.006
김정현. Landscapes of Nationalist Empowerment: Fu Baoshi’s Re-appropriation of the “Chinese” Rainscape Tradition from Japan. Journal of History of Modern Art. 2012; 32 175-219. doi: 10.17057/kahoma.2012..32.006
김정현. Landscapes of Nationalist Empowerment: Fu Baoshi’s Re-appropriation of the “Chinese” Rainscape Tradition from Japan. 2012; 32 : 175-219. Available from: doi:10.17057/kahoma.2012..32.006
김정현. "Landscapes of Nationalist Empowerment: Fu Baoshi’s Re-appropriation of the “Chinese” Rainscape Tradition from Japan" Journal of History of Modern Art no.32(2012) : 175-219.doi: 10.17057/kahoma.2012..32.006
