@article{ART002033339},
author={LeeSeunghyun},
title={Cogniton on the actual world and Drama’s experiment of Dalgui uimi trilogy},
journal={The Journal of Korean drama and theatre},
issn={1225-7729},
year={2015},
number={49},
pages={49-77},
doi={10.17938/tjkdat.2015..49.49}
TY - JOUR
AU - LeeSeunghyun
TI - Cogniton on the actual world and Drama’s experiment of Dalgui uimi trilogy
JO - The Journal of Korean drama and theatre
PY - 2015
VL - null
IS - 49
PB - The Learned Society Of Korean Drama And Theatre
SP - 49
EP - 77
SN - 1225-7729
AB - Oh Hakyeong’s three dramas(Dalgui uimi trilogy), Dalgui uimi, Kkotgwa sipjagar and Saengmyeongeun hapchangcheoreom, received attention because these was not written as the established style, the realism drama. Nevertheless, these dramas do not focus on the human’s mind but display the inner problem from social value’s change. Sanghwa, a main character of Dalgui uimi trilogy, refuses to accept the established order and values which ordinary men follow. He wants to live as an artist, so he can not follow the established order. He understands his father, Lee Myeonggyu who has money problem and girlfriend, A-Ran who wishes get married. However, In Dalgui uimi trilogy, he can not accept the value of family system, marriage institution and legal system, since he was otherized by other people. Finally, he can be resistant being as death penalty.
The conflicts of Sanghwa are inner conflicts which are from society and personal relations, so Oh Hakyeong expressed inner conflicts as unordinary dialogues and unrealistic stages. Therefore, these dramas have many elements of unrealistic styles, Expressionism, Symbolism, Surrealism and so on. By formal experiment of these styles, Oh Hakyeong treated men’s inner conflicts as symptoms of society problems and related problems. Naturally, His dramas are transitional, but these are able to link with former dramas and later dramas from a historical perspective. In this respect, formal experiments of Oh Hakyeong would be re-evaluated as autonomous experiments.
KW - Cha Hongnyeo;cafe(Dabang);Dongyang Geukjang(Oriental Theatre);historical dramas;Hwang Cheol;microscopic daily life;restoration of customs;television drama series;the 1930s;the origin of mass entertaminment
DO - 10.17938/tjkdat.2015..49.49
ER -
LeeSeunghyun. (2015). Cogniton on the actual world and Drama’s experiment of Dalgui uimi trilogy. The Journal of Korean drama and theatre, 49, 49-77.
LeeSeunghyun. 2015, "Cogniton on the actual world and Drama’s experiment of Dalgui uimi trilogy", The Journal of Korean drama and theatre, no.49, pp.49-77. Available from: doi:10.17938/tjkdat.2015..49.49
LeeSeunghyun "Cogniton on the actual world and Drama’s experiment of Dalgui uimi trilogy" The Journal of Korean drama and theatre 49 pp.49-77 (2015) : 49.
LeeSeunghyun. Cogniton on the actual world and Drama’s experiment of Dalgui uimi trilogy. 2015; 49 : 49-77. Available from: doi:10.17938/tjkdat.2015..49.49
LeeSeunghyun. "Cogniton on the actual world and Drama’s experiment of Dalgui uimi trilogy" The Journal of Korean drama and theatre no.49(2015) : 49-77.doi: 10.17938/tjkdat.2015..49.49
LeeSeunghyun. Cogniton on the actual world and Drama’s experiment of Dalgui uimi trilogy. The Journal of Korean drama and theatre, 49, 49-77. doi: 10.17938/tjkdat.2015..49.49
LeeSeunghyun. Cogniton on the actual world and Drama’s experiment of Dalgui uimi trilogy. The Journal of Korean drama and theatre. 2015; 49 49-77. doi: 10.17938/tjkdat.2015..49.49
LeeSeunghyun. Cogniton on the actual world and Drama’s experiment of Dalgui uimi trilogy. 2015; 49 : 49-77. Available from: doi:10.17938/tjkdat.2015..49.49
LeeSeunghyun. "Cogniton on the actual world and Drama’s experiment of Dalgui uimi trilogy" The Journal of Korean drama and theatre no.49(2015) : 49-77.doi: 10.17938/tjkdat.2015..49.49
