@article{ART002914257},
author={Shin, Hongju},
title={Dramatization Style of Narrative Information in the Barrier-free Performance ―Focused on the Musical Drama, Hap‐Che},
journal={The Journal of Korean drama and theatre},
issn={1225-7729},
year={2022},
number={77},
pages={93-125},
doi={10.17938/tjkdat.2022..77.93}
TY - JOUR
AU - Shin, Hongju
TI - Dramatization Style of Narrative Information in the Barrier-free Performance ―Focused on the Musical Drama, Hap‐Che
JO - The Journal of Korean drama and theatre
PY - 2022
VL - null
IS - 77
PB - The Learned Society Of Korean Drama And Theatre
SP - 93
EP - 125
SN - 1225-7729
AB - In the existing barrier‐free performances, subtitles, sign language, and audio commentary are all meta texts, which produce the alienation effect to some degree. Hap‐Che(2022), which claims to be a barrier‐free musical play, dramatizes sign language and audio commentary as part of the performance to increase the audience's immersion. Sign language interpretation is dramatized through double events, while voice interpretation through the personification of the narrator.
In the double event, a sign language interpreter on stage shares choreography and acting with the musical actor, which allows the audience to experience synesthetic transference. Also, the sense of unity between the actor and the interpreter is realized through ideographs such as emblematic images or symbols that epitomize central narrative information. On the other hand, the voice commentary is dramatized in a way that the narrator personified as a radio DJ describes the stage space, events, and the gestures and psychology of the characters from an omniscient point of view. The intermediary nature of the original novel and the musical play, through the competition between textuality inherent in voice commentary and intermediality, provides a unique aesthetic experience that cannot be reduced to visual information. Hap‐Che is significant in that it expands artistic expression by dramatizing narrative information for the disabled.
KW - Barrier-free performance;Double event;Hap-Che;Ideograph;Intermediality;Personification of voice commentary;Synesthetic transference
DO - 10.17938/tjkdat.2022..77.93
ER -
Shin, Hongju. (2022). Dramatization Style of Narrative Information in the Barrier-free Performance ―Focused on the Musical Drama, Hap‐Che. The Journal of Korean drama and theatre, 77, 93-125.
Shin, Hongju. 2022, "Dramatization Style of Narrative Information in the Barrier-free Performance ―Focused on the Musical Drama, Hap‐Che", The Journal of Korean drama and theatre, no.77, pp.93-125. Available from: doi:10.17938/tjkdat.2022..77.93
Shin, Hongju "Dramatization Style of Narrative Information in the Barrier-free Performance ―Focused on the Musical Drama, Hap‐Che" The Journal of Korean drama and theatre 77 pp.93-125 (2022) : 93.
Shin, Hongju. Dramatization Style of Narrative Information in the Barrier-free Performance ―Focused on the Musical Drama, Hap‐Che. 2022; 77 : 93-125. Available from: doi:10.17938/tjkdat.2022..77.93
Shin, Hongju. "Dramatization Style of Narrative Information in the Barrier-free Performance ―Focused on the Musical Drama, Hap‐Che" The Journal of Korean drama and theatre no.77(2022) : 93-125.doi: 10.17938/tjkdat.2022..77.93
Shin, Hongju. Dramatization Style of Narrative Information in the Barrier-free Performance ―Focused on the Musical Drama, Hap‐Che. The Journal of Korean drama and theatre, 77, 93-125. doi: 10.17938/tjkdat.2022..77.93
Shin, Hongju. Dramatization Style of Narrative Information in the Barrier-free Performance ―Focused on the Musical Drama, Hap‐Che. The Journal of Korean drama and theatre. 2022; 77 93-125. doi: 10.17938/tjkdat.2022..77.93
Shin, Hongju. Dramatization Style of Narrative Information in the Barrier-free Performance ―Focused on the Musical Drama, Hap‐Che. 2022; 77 : 93-125. Available from: doi:10.17938/tjkdat.2022..77.93
Shin, Hongju. "Dramatization Style of Narrative Information in the Barrier-free Performance ―Focused on the Musical Drama, Hap‐Che" The Journal of Korean drama and theatre no.77(2022) : 93-125.doi: 10.17938/tjkdat.2022..77.93
