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The Ontological Image of Perception and Criticism of Art

Yun Dae-sun 1

1경기대학교

Accredited

ABSTRACT

The image of painting represents the real object in the painter's point, but that is not simply in itself. Of course the subjective thinking of the artist creates an image. But as Cézanne said that the painter in the face of his motif is about to join aimless hands of nature. A picture is accomplished by the perception, that is occurred between objets and painter. In any case the artist must perceive the external phenomenon that is definitely different from the artist's thinking. So the image in the drawing paper is a description that is realized by the prospect vision and perception of the artist, that produce the artistic images. This article proposes the question the contemporary art of Cézanne, Sera, Bacon compared to the philosophical vision of Bergson, Merleau-Ponty, and Deleuze. Specially these philosophers think on the figure of being that is manifested in the original manner of body’s perception. The connection between things and painter is found in perception. And the figure in painting is already communicated in the body's perception. This article proposes three principles of perception as virtuality, difference and duration.

Citation status

* References for papers published after 2023 are currently being built.