@article{ART001354812},
author={조영준},
title={A Study on Objectivity of Art Photography - From Post Expressionism and Modern Photography -},
journal={Cross-Cultural Studies},
issn={1598-0685},
year={2009},
volume={13},
number={1},
pages={183-200},
doi={10.21049/ccs.2009.13.1.183}
TY - JOUR
AU - 조영준
TI - A Study on Objectivity of Art Photography - From Post Expressionism and Modern Photography -
JO - Cross-Cultural Studies
PY - 2009
VL - 13
IS - 1
PB - Center for Cross Culture Studies
SP - 183
EP - 200
SN - 1598-0685
AB - The purpose of this research is to evaluate the value and present
effectiveness of objectivity on art photography focusing on Post
Expressionism and modern photography. The objectivity on art
photography has been the essential value itself ever since photography
was invented. The aesthetics of photography was achieved through object
selection in the beginning. The representation of an object is definitely
a unique and core part of photography which no other art can have,
although modern photography was positioned as a new level of an art
form in a mixture with different diverse media. Even in this digital age
when many people use a digital camera and take a picture, the purpose
of digital photography is still to reveal the fundamental features and
social characteristics of an object.
Historically, important discussions on objectivity of art photography
were appeared in post-1920’s German Post Expressionism paintings. Post
Expressionism paintings expressed the outside world in a subjective art
form based on concrete concepts and instinctive interpretations and led
German photographers to New Objectivity. Modern American
Photography also continued to consider the photographic representation
of an object as one of the most critical characteristics of photography.
The aesthetic of New Objectivity plays a very important role in
modern art photography. The theme of photography can be changed depending on an object and concept, but the direct impression from an
object and extreme reality of photography go beyond existence itself and
provide artistic uniqueness. Therefore, the New Objectivity which
provides the possibility of diverse interpretations of the real universe
shows the magic of existence. Especially in this digital age which creates
virtual worlds like the Internet, the artistic uniqueness of photography
will become stronger as an art form itself and a media form recording
our continuously changing world.
KW - objectivity;art photography;modern photography;Post Expressionism;
New Objectivity
DO - 10.21049/ccs.2009.13.1.183
ER -
조영준. (2009). A Study on Objectivity of Art Photography - From Post Expressionism and Modern Photography -. Cross-Cultural Studies, 13(1), 183-200.
조영준. 2009, "A Study on Objectivity of Art Photography - From Post Expressionism and Modern Photography -", Cross-Cultural Studies, vol.13, no.1 pp.183-200. Available from: doi:10.21049/ccs.2009.13.1.183
조영준 "A Study on Objectivity of Art Photography - From Post Expressionism and Modern Photography -" Cross-Cultural Studies 13.1 pp.183-200 (2009) : 183.
조영준. A Study on Objectivity of Art Photography - From Post Expressionism and Modern Photography -. 2009; 13(1), 183-200. Available from: doi:10.21049/ccs.2009.13.1.183
조영준. "A Study on Objectivity of Art Photography - From Post Expressionism and Modern Photography -" Cross-Cultural Studies 13, no.1 (2009) : 183-200.doi: 10.21049/ccs.2009.13.1.183
조영준. A Study on Objectivity of Art Photography - From Post Expressionism and Modern Photography -. Cross-Cultural Studies, 13(1), 183-200. doi: 10.21049/ccs.2009.13.1.183
조영준. A Study on Objectivity of Art Photography - From Post Expressionism and Modern Photography -. Cross-Cultural Studies. 2009; 13(1) 183-200. doi: 10.21049/ccs.2009.13.1.183
조영준. A Study on Objectivity of Art Photography - From Post Expressionism and Modern Photography -. 2009; 13(1), 183-200. Available from: doi:10.21049/ccs.2009.13.1.183
조영준. "A Study on Objectivity of Art Photography - From Post Expressionism and Modern Photography -" Cross-Cultural Studies 13, no.1 (2009) : 183-200.doi: 10.21049/ccs.2009.13.1.183
