본문 바로가기
  • Home

The Signification of the “Decisive Moment” in the Photographs of Henri Cartier-Bresson

  • Cross-Cultural Studies
  • 2020, 61(), pp.245-266
  • DOI : 10.21049/ccs.2020.61..245
  • Publisher : Center for Cross Culture Studies
  • Research Area : Humanities > Literature
  • Received : November 10, 2020
  • Accepted : December 14, 2020
  • Published : December 30, 2020

Jungmin OH 1

1추계예술대학교

Accredited

ABSTRACT

In the semiotic analysis of the photographs in general, the iconic sign produces the interpretant, or meaning to the viewer, which leads to the concordance between the interpretant and the object photographed. In this article, a semiotic analysis of the photographs of Henri Cartier-Bresson as an image-sign reveals the signification of the “decisive moment”. In that case, the interpretant does not correspond to the object in the pattern proposed by Charles Sanders Peirce, because it is not the iconic sign, but the plastic sign that produces the interpretant. So Cartier-Bresson's “decisive moment” shows the necessity to correct Peirce's semiotic pattern and even Martine Joly's opinion expressed in her discourse on the uniqueness of a work of art because she didn’t see that she meant the uniqueness that comes from the object and not from the plastic sign, which is not the signification of the photographs of Henri Cartier-Bresson.

Citation status

* References for papers published after 2023 are currently being built.