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A Study on the Ci(詞)-Poetry of Li Wen(李雯), a Ciren of Yunjian(雲間詞人): With a focus on the sorrow of intellectuals during the Ming-Qing transition

  • Journal of Chinese Language and Literature
  • 2022, (89), pp.55-96
  • DOI : 10.15792/clsyn..89.202204.55
  • Publisher : Chinese Literary Society Of Yeong Nam
  • Research Area : Humanities > Chinese Language and Literature
  • Received : March 10, 2022
  • Accepted : April 13, 2022
  • Published : April 30, 2022

Kim Hanee 1

1서울대학교 인문학연구원

Accredited

ABSTRACT

This study focused on the Ci-poetry of Li Wen, one of “Yunjian Sanzi” that were active to create Ci-poetry those days, examined the meanings of his Ci-poetry as a deposit of sorrow, and tried to demonstrate that it already showed the developmental possibilities of Qing Ci-poetry. In other words, Li Wen personally witnessed the Ming-Qing transition and underwent complicated emotional changes, which were reflected on his Ci-poetry. Li Wen could not resist the Qing Dynasty like Chen Zilong and held a government post in the new dynasty. Unlike Song Zhengyu who led a stable life as a government official, however, he kept having shame and conflict, which changed the thematic consciousness of his Ci-poetry. It shows the possibilities that Ci-poetry could serve as a means of literature to deposit the sorrow of intellectuals undergoing a huge historical event that was a change of dynasty beyond the literature for simple amusement.

Citation status

* References for papers published after 2023 are currently being built.

This paper was written with support from the National Research Foundation of Korea.