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@article{ART002004106},
author={LeeMoonJung},
title={Carolee Schneemann’s Performance of the 1960s and Reproduction of Sabbat},
journal={Journal of History of Modern Art},
issn={1598-7728},
year={2015},
number={37},
pages={121-152},
doi={10.17057/kahoma.2015..37.005}

TY - JOUR
AU - LeeMoonJung
TI - Carolee Schneemann’s Performance of the 1960s and Reproduction of Sabbat
JO - Journal of History of Modern Art
PY - 2015
VL - null
IS - 37
PB - 현대미술사학회
SP - 121
EP - 152
SN - 1598-7728
AB - Carolee Scheemann has used her body as her primary medium of philosophical and socio-political criticism since the 1960s when the discussion on feminism did not begin in earnest in art. Schneemann’s performance in the 1960s had a trait of the sabbat, which was the coven and the carnival of women, in the content and format. Firstly,Schneemann performed an erotic rite representing in a public sphere the sexuality and body that made women witches. Her performance violated social taboo and integrated sanctity and secularity. Secondly, Schneemann displayed an act of animism through her performance. She also presented herself as a offering to a goddess, a priestess, and a goddess. Thirdly, Schneemann has carried her performance like a divine ritual through the chaotic theater of cruelty and carnival for purification that coexists eros and thanatos, creation and extinction, and joy and despair. Schneemanns erformance is the restoration of the pre-symbolic and eruption of the semiotic. Her performance, which gives a free rein to repressed unconsciousness and stirs up imaginary defiance, brings out the regeneration and rehabilitation that breaks down a hardening of society and creates a fluidly moving world.
KW - Carolee Scheemann;Performance;Sabbat;Carnival;Goddess;Antonin Artaud pre-symbolic
DO - 10.17057/kahoma.2015..37.005
ER -

LeeMoonJung. (2015). Carolee Schneemann’s Performance of the 1960s and Reproduction of Sabbat. Journal of History of Modern Art, 37, 121-152.

LeeMoonJung. 2015, "Carolee Schneemann’s Performance of the 1960s and Reproduction of Sabbat", Journal of History of Modern Art, no.37, pp.121-152. Available from: doi:10.17057/kahoma.2015..37.005

LeeMoonJung "Carolee Schneemann’s Performance of the 1960s and Reproduction of Sabbat" Journal of History of Modern Art 37 pp.121-152 (2015) : 121.

LeeMoonJung. Carolee Schneemann’s Performance of the 1960s and Reproduction of Sabbat. 2015; 37 : 121-152. Available from: doi:10.17057/kahoma.2015..37.005

LeeMoonJung. "Carolee Schneemann’s Performance of the 1960s and Reproduction of Sabbat" Journal of History of Modern Art no.37(2015) : 121-152.doi: 10.17057/kahoma.2015..37.005

LeeMoonJung. Carolee Schneemann’s Performance of the 1960s and Reproduction of Sabbat. Journal of History of Modern Art, 37, 121-152. doi: 10.17057/kahoma.2015..37.005

LeeMoonJung. Carolee Schneemann’s Performance of the 1960s and Reproduction of Sabbat. Journal of History of Modern Art. 2015; 37 121-152. doi: 10.17057/kahoma.2015..37.005

LeeMoonJung. Carolee Schneemann’s Performance of the 1960s and Reproduction of Sabbat. 2015; 37 : 121-152. Available from: doi:10.17057/kahoma.2015..37.005

LeeMoonJung. "Carolee Schneemann’s Performance of the 1960s and Reproduction of Sabbat" Journal of History of Modern Art no.37(2015) : 121-152.doi: 10.17057/kahoma.2015..37.005