@article{ART002179047},
author={Jeong Eun Choi},
title={“Post-Medium” and Experimental Film As “Expanded Cinema”: A Case of of Christian Marclay},
journal={Journal of History of Modern Art},
issn={1598-7728},
year={2016},
number={40},
pages={209-242},
doi={10.17057/kahoma.2016..40.008}
TY - JOUR
AU - Jeong Eun Choi
TI - “Post-Medium” and Experimental Film As “Expanded Cinema”: A Case of of Christian Marclay
JO - Journal of History of Modern Art
PY - 2016
VL - null
IS - 40
PB - 현대미술사학회
SP - 209
EP - 242
SN - 1598-7728
AB - In this paper, I examined Christian Marclay’s intermedial works including and its relation to experimental films. After Neo Avant-garde movement in 1960-1970s, many “Structural Films” were produced. These Structural Films had common features with Minimalism, such as investigation into “form” & materiality. Marclay’s works repeat these Structural Films’ experimental form & contemporary films’ grammar of practice. However, Marclay’s works also have the features of Post-Minimalism. Even though maintaining Minimalism’s approach to form, his works are the results of a translation of Minimalism’s form into bodily experience & synaesthetic experiment. Marclay’s works, especially , could be evaluated as “tour de force” among so many contemporary post-medium intermedia works. In , Marclay uses sounds and moving images as technical support, also synchronicity with real time as abstractional technical support. Archive of found footage is used as conventional medium, through which technical supports are unfolded. As a response to the phenomena of real time archive in everyday life, Marclay’s works as a radical criticism on the situation of post-modern society.
KW - post-medium;postminimalism;experimental film;Structural Film;found footage;temporality;archive
DO - 10.17057/kahoma.2016..40.008
ER -
Jeong Eun Choi. (2016). “Post-Medium” and Experimental Film As “Expanded Cinema”: A Case of of Christian Marclay. Journal of History of Modern Art, 40, 209-242.
Jeong Eun Choi. 2016, "“Post-Medium” and Experimental Film As “Expanded Cinema”: A Case of of Christian Marclay", Journal of History of Modern Art, no.40, pp.209-242. Available from: doi:10.17057/kahoma.2016..40.008
Jeong Eun Choi "“Post-Medium” and Experimental Film As “Expanded Cinema”: A Case of of Christian Marclay" Journal of History of Modern Art 40 pp.209-242 (2016) : 209.
Jeong Eun Choi. “Post-Medium” and Experimental Film As “Expanded Cinema”: A Case of of Christian Marclay. 2016; 40 : 209-242. Available from: doi:10.17057/kahoma.2016..40.008
Jeong Eun Choi. "“Post-Medium” and Experimental Film As “Expanded Cinema”: A Case of of Christian Marclay" Journal of History of Modern Art no.40(2016) : 209-242.doi: 10.17057/kahoma.2016..40.008
Jeong Eun Choi. “Post-Medium” and Experimental Film As “Expanded Cinema”: A Case of of Christian Marclay. Journal of History of Modern Art, 40, 209-242. doi: 10.17057/kahoma.2016..40.008
Jeong Eun Choi. “Post-Medium” and Experimental Film As “Expanded Cinema”: A Case of of Christian Marclay. Journal of History of Modern Art. 2016; 40 209-242. doi: 10.17057/kahoma.2016..40.008
Jeong Eun Choi. “Post-Medium” and Experimental Film As “Expanded Cinema”: A Case of of Christian Marclay. 2016; 40 : 209-242. Available from: doi:10.17057/kahoma.2016..40.008
Jeong Eun Choi. "“Post-Medium” and Experimental Film As “Expanded Cinema”: A Case of of Christian Marclay" Journal of History of Modern Art no.40(2016) : 209-242.doi: 10.17057/kahoma.2016..40.008