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@article{ART002601630},
author={Kim, Soo-Jung},
title={A Critical Study of the Concept of Hétérochronie in Relation to Media Technology: Focused on Apichatpong Weerasethakul},
journal={Journal of History of Modern Art},
issn={1598-7728},
year={2020},
number={47},
pages={39-63},
doi={10.17057/kahoma.2020..47.002}

TY - JOUR
AU - Kim, Soo-Jung
TI - A Critical Study of the Concept of Hétérochronie in Relation to Media Technology: Focused on Apichatpong Weerasethakul
JO - Journal of History of Modern Art
PY - 2020
VL - null
IS - 47
PB - 현대미술사학회
SP - 39
EP - 63
SN - 1598-7728
AB - This study originated from catching the characteristics of contemporary art since the 2000s and demonstrating 'the Concept of Hétérochronie' in them. Contemporary art, which was influenced by globalization due to technological advancement, began to use technological media in its works. From media art to installations, various genres began to appear in a complex way, images were reused and edited, and works that deviated from the existing continuous and sequential times appeared. Such images began to show the phenomenon of being uniquely divided through the medium, among which it was possible to find the concept of Hétérochronie. In this paper, I use the theories of Gilbert Simondon and Bernard Stiegler to understand and demonstrate the alienation of human beings as reflected in; the intrinsically pure consciousness of technical media. In the work of Apichatpong Weerasethakul, the whole is connected to allegories, memories are edited and summoned, and it can be seen that the Hétérochronie is well represented in the process. Therefore, in this article, I would like to discover and analyze the clues that can lead to an integrated reason for contemporary art through his work.
KW - The Concept of Hétérochronie;Contemporary art;Apichatpong Weerasethakul;Bernard Stiegler;Gilbert Simondon
DO - 10.17057/kahoma.2020..47.002
ER -

Kim, Soo-Jung. (2020). A Critical Study of the Concept of Hétérochronie in Relation to Media Technology: Focused on Apichatpong Weerasethakul. Journal of History of Modern Art, 47, 39-63.

Kim, Soo-Jung. 2020, "A Critical Study of the Concept of Hétérochronie in Relation to Media Technology: Focused on Apichatpong Weerasethakul", Journal of History of Modern Art, no.47, pp.39-63. Available from: doi:10.17057/kahoma.2020..47.002

Kim, Soo-Jung "A Critical Study of the Concept of Hétérochronie in Relation to Media Technology: Focused on Apichatpong Weerasethakul" Journal of History of Modern Art 47 pp.39-63 (2020) : 39.

Kim, Soo-Jung. A Critical Study of the Concept of Hétérochronie in Relation to Media Technology: Focused on Apichatpong Weerasethakul. 2020; 47 : 39-63. Available from: doi:10.17057/kahoma.2020..47.002

Kim, Soo-Jung. "A Critical Study of the Concept of Hétérochronie in Relation to Media Technology: Focused on Apichatpong Weerasethakul" Journal of History of Modern Art no.47(2020) : 39-63.doi: 10.17057/kahoma.2020..47.002

Kim, Soo-Jung. A Critical Study of the Concept of Hétérochronie in Relation to Media Technology: Focused on Apichatpong Weerasethakul. Journal of History of Modern Art, 47, 39-63. doi: 10.17057/kahoma.2020..47.002

Kim, Soo-Jung. A Critical Study of the Concept of Hétérochronie in Relation to Media Technology: Focused on Apichatpong Weerasethakul. Journal of History of Modern Art. 2020; 47 39-63. doi: 10.17057/kahoma.2020..47.002

Kim, Soo-Jung. A Critical Study of the Concept of Hétérochronie in Relation to Media Technology: Focused on Apichatpong Weerasethakul. 2020; 47 : 39-63. Available from: doi:10.17057/kahoma.2020..47.002

Kim, Soo-Jung. "A Critical Study of the Concept of Hétérochronie in Relation to Media Technology: Focused on Apichatpong Weerasethakul" Journal of History of Modern Art no.47(2020) : 39-63.doi: 10.17057/kahoma.2020..47.002