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AI Art and Surrealism: Focusing on Bang Soyun’s Polymorph series

  • Journal of History of Modern Art
  • 2025, 0(58), pp.71~95
  • DOI : 10.17057/kahoma.2025..58.004
  • Publisher : 현대미술사학회
  • Research Area : Arts and Kinesiology > Art > Arts in general > Art History
  • Received : October 15, 2025
  • Accepted : November 30, 2025
  • Published : December 31, 2025

CHO SEON RYEONG 1

1부산대학교

Accredited

ABSTRACT

This paper explores the relationship between contemporary artworks that employ AI hallucination and Surrealism focusing on the Polymorph series by Korean artist Bang Soyun. This series shares with Surrealism the motif of reversals between human and machine, the living and the non-living. “Hallucination” is reinterpreted as another name for such reversals. Just as the Surrealists took Freud as their theoretical reference, this study draws on Lacanian psychoanalysis to examine how the contemporary relationship between humans and machines differs from that of the Surrealist era, as revealed through the Polymorph series. Bang Soyun’s work is interpreted as a stage of unconscious fantasy where humans, confronted with the anxiety produced by technological imperfection, explore the desire of artificial intelligence as the Other.

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