@article{ART002541137},
author={Doohyun Kwon},
title={An Affect Study of ‘Relational Theory of Existence’ ― On the Technical Dimensions of Gender Politics in and out of Naui ajeossi},
journal={The Journal of Korean drama and theatre},
issn={1225-7729},
year={2019},
number={66},
pages={43-97},
doi={10.17938/tjkdat.2019..66.43}
TY - JOUR
AU - Doohyun Kwon
TI - An Affect Study of ‘Relational Theory of Existence’ ― On the Technical Dimensions of Gender Politics in and out of Naui ajeossi
JO - The Journal of Korean drama and theatre
PY - 2019
VL - null
IS - 66
PB - The Learned Society Of Korean Drama And Theatre
SP - 43
EP - 97
SN - 1225-7729
AB - This study attempts to think inside and outside of the problematic text of Naui ajeossi in terms of ‘Relational Theory of Existence’. Naui ajeossir triggers controversial discourse through social media given as a technical resource of gender politics and political politics, and emerges as significant sign of the times. The resistance to Naui ajeossi raised through social media can be seen as a common voice of women based on relational ontology. It also resists the depoliticized aesthetic view of trying to separate Naui ajeossi from gender issues, and places it on an aesthetic and thus political level. Meanwhile, Naui ajeossi contains a narrative of relational ontology. Lee ji-an, who is one of the axes of this relationship, is an affective body inhabiting the phenomenological world of sound. On the other hand, Park Dong-hoon is an ethical agent who performs social acting with a persona as a mask. Naui ajeossi shows an ontological journey of reaching social existence through the relationship between the two, which is based on the separation and conflict between affect and ethics. This is a very different aspect from the contemporary media-scape outside the text, which uses affect as the basis of existence.
KW - Affect;Feminism;Gender;Mask;Naui ajeossi(My Mister);Persona;Social Media;Sound;Twitter;Technology
DO - 10.17938/tjkdat.2019..66.43
ER -
Doohyun Kwon. (2019). An Affect Study of ‘Relational Theory of Existence’ ― On the Technical Dimensions of Gender Politics in and out of Naui ajeossi. The Journal of Korean drama and theatre, 66, 43-97.
Doohyun Kwon. 2019, "An Affect Study of ‘Relational Theory of Existence’ ― On the Technical Dimensions of Gender Politics in and out of Naui ajeossi", The Journal of Korean drama and theatre, no.66, pp.43-97. Available from: doi:10.17938/tjkdat.2019..66.43
Doohyun Kwon "An Affect Study of ‘Relational Theory of Existence’ ― On the Technical Dimensions of Gender Politics in and out of Naui ajeossi" The Journal of Korean drama and theatre 66 pp.43-97 (2019) : 43.
Doohyun Kwon. An Affect Study of ‘Relational Theory of Existence’ ― On the Technical Dimensions of Gender Politics in and out of Naui ajeossi. 2019; 66 : 43-97. Available from: doi:10.17938/tjkdat.2019..66.43
Doohyun Kwon. "An Affect Study of ‘Relational Theory of Existence’ ― On the Technical Dimensions of Gender Politics in and out of Naui ajeossi" The Journal of Korean drama and theatre no.66(2019) : 43-97.doi: 10.17938/tjkdat.2019..66.43
Doohyun Kwon. An Affect Study of ‘Relational Theory of Existence’ ― On the Technical Dimensions of Gender Politics in and out of Naui ajeossi. The Journal of Korean drama and theatre, 66, 43-97. doi: 10.17938/tjkdat.2019..66.43
Doohyun Kwon. An Affect Study of ‘Relational Theory of Existence’ ― On the Technical Dimensions of Gender Politics in and out of Naui ajeossi. The Journal of Korean drama and theatre. 2019; 66 43-97. doi: 10.17938/tjkdat.2019..66.43
Doohyun Kwon. An Affect Study of ‘Relational Theory of Existence’ ― On the Technical Dimensions of Gender Politics in and out of Naui ajeossi. 2019; 66 : 43-97. Available from: doi:10.17938/tjkdat.2019..66.43
Doohyun Kwon. "An Affect Study of ‘Relational Theory of Existence’ ― On the Technical Dimensions of Gender Politics in and out of Naui ajeossi" The Journal of Korean drama and theatre no.66(2019) : 43-97.doi: 10.17938/tjkdat.2019..66.43
