2020, Vol.4, No.1

Korea and Global Affairs 2023 KCI Impact Factor : 0.89

pISSN : 2508-8300 / eISSN : 2671-5694
https://journal.kci.go.kr/kips

In Korea, over-representation in certain ages, genders and occupational groups has been repeated. In this regard, it is necessary to resolve the deficiencies in political representation, to secure more balanced and stable political representation by representing various political intentions and interests of citizens, and in particular, to secure a balanced representation of descriptive representation. This paper examines the political representation of underrepresented youth. European countries have a relatively high proportion of young councilors, while the number of young councilors in Korea is under 30(0.0%), under 40(2.3%), and under 45(5.6%). Is the lowest level in the country, and is significantly lower than in OECD countries. To solve this problem, discussions about reform of electoral system should be continued. Recently, in Korea, the Parallel proportional representation has been changed from the Semi-linked proportional representation through the fast track election law. In other words, it is more urgent to secure the institutional device for entry into the elected office as well as to discuss the political representation of the youth as a “representative” who can represent the interests of the youth as a direct actor.

The purpose of this study was to examine manifesto practice and problem-oriented practice orientation through academic studies and data in order to explore the causes and alternatives of manifesto in Korean politics. In addition, the existing discussions are divided into structural, actor, and environmental dimensions to propose alternatives to the task in a poetic sense. Modern society is embodied as a network society, and each individual and group is an atomized module of society that has the conditions to present their political opinions or establish specific goals based on identity. In addition, if the environment (civil participation type, open type, etc.) that can present alternative agenda for mutual failure of political action is activated, greater political development can be led. On the other hand, it is expected to present a positive answer to the limitations of political behavior, which is one of the weaknesses of Manifesto, that is, lack of a longer-looking political attitude toward the system. Among the manifesto, voluntary participation in political participation, procedures, and operation is rooted in civil society, and collaboration on interpretation and judgment can be learned inherent in the context of the movement. As the Manifesto Policy Election will be able to include active citizen participation, it will also help build a mature political culture.

The article examined how the military regime, led by the Park Chung-hee regime and Chun Doo-hwan regime, influenced popular music by the regime's desire and oppression. In particular, the term "Choice" and "Exclusion" were used as part of the military’s repressive rule and as a strategy to differentiate itself from the military’s perspective, using the terms "Choice" and "Exclusion" depending on the nature of the military’s authoritarian regimes, contrary to the trend of existing research. The review of banning pop music under the military regime here is an example of a fusion study in which the military regime systemizes banned songs and oppresses the public with freedom of understanding and expression, but on the other hand, it has shown concurrency as a role of seeking to maintain the military's regime and tyrannize it. First, the banned songs under the military regime were mostly performed during the Park Chung-hee regime, which ruled out the creativity and legitimacy of those who made and sang songs, as they were performed by the ruling party’s desire for power or violence. Second, the lifting of the banned song under the military regime was made only after the military regime surrendered to the national uprising, in that the song was made in line with the trend of the June 1987 uprising. After all, the fact that there were many banned songs in terms of wind speed rather than in terms of public security was a sign that the military regime was severely oppressed by the public, socially and culturally.