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Trends of Music Aesthetics in the Initial Publications Focused on Riemann’s Writing

Dae Chang Ju 1

1광주교육대학교

Candidate

ABSTRACT

This research takes a critical view of Riemann’s music aestheticspublished in the late 19 century. He used the term “music-aesthetics” firstwhile his contemporary scholars took advantage of another term called“aesthetics of tone arts.” He seemed to combine the natural scientifictheories and metaphysical approaches for understanding musical beauty. Although he followed Hanslick’s formalism, associative characteristics ofmusical expressions were also accepted in order to propose an alternative. However, his presentation arriving at Hegel’s aesthetics produced someaesthetical contradictions due to insufficient fusion of those sides.

Citation status

* References for papers published after 2024 are currently being built.