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Musical performance and Performance Studies

  • Journal of the Korean Society for Musicology
  • Abbr : JKSM
  • 2016, 24(1), pp.7~27
  • DOI : 10.34303/mscol.2016.24.1.001
  • Publisher : The Korean Society for Musicology
  • Research Area : Arts and Kinesiology > Musicology > Other Musicology
  • Published : June 30, 2016

Lee Mi-Kyung 1

1전남대학교

Accredited

ABSTRACT

During the first decade of 21st cnetury, the ontological priority of musical text has been shaken by prominence of the musical performance. In such an era of “performative turn”, this article deals with the influence and implication of performance studies on the traditional musicological research. Why the western art music centered musicology has been oriented towards the reconstruction and dessemination of authritative texts and what a paradigm-shift from musical texts to performance implies are considered. To understand musical performance from the view of performance studies means to see it as an ‘event’as an social phenomenon that results from the interaction of different individuals, and, beyond the locus of performance, to observe it in the process where the experience has been constructed.

Citation status

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