≪히로시마 내 사랑≫에서의 영화음악과 반전평화의 의미 (Hiroshima mon amour, Peace and Film Music)

이경분 (Kyungboon Lee)

doi:10.34303/mscol.2017.25.1.002

Hiroshima mon amour, Peace and Film Music

Journal of the Korean Society for Musicology
Abbr : JKSM
2017, 25(1), pp.35~74
DOI : 10.34303/mscol.2017.25.1.002
Publisher : The Korean Society for Musicology
Research Area : Arts and Kinesiology > Musicology > Other Musicology
Published : June 30, 2017

Kyungboon Lee ¹

¹서울대학교

Accredited

ABSTRACT

The Japanese-French film Hiroshima mon amour, published in 1959 by Alan Resnais, is considered as “a wonder in the postwar film history” due to its modern way of interpreting reality. The astonishing film music of Hiroshima mon amour, in particular using the counterpoint and leitmotiv functions, give obvious messages to screens which alone remain unclear. This study addresses the understudied film music exploring a new possibility of interpreting this film. While Hiroshima mon amour was often received as a film about the mechanisms of memory and forgetfulness, the comments of film music show that Hiroshima mon amour can be a film to express the human search for personal happiness and peace, and the constant awareness of collective tragedy and threat.

KEYWORDS

Hiroshima mon amour, film music, Alain Resnais, peace. leitmotiv

Citation status

* References for papers published after 2024 are currently being built.

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This paper was written with support from the National Research Foundation of Korea.

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Journal of the Korean Society for Musicology 2024 KCI Impact Factor : 0.64

Hiroshima mon amour, Peace and Film Music

ABSTRACT

KEYWORDS

Citation status

* References for papers published after 2024 are currently being built.

Journal of the Korean Society for Musicology 2024 KCI Impact Factor : 0.64

Hiroshima mon amour, Peace and Film Music

ABSTRACT

KEYWORDS

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* References for papers published after 2024 are currently being built.