본문 바로가기
  • Home

Love and Mortality in a Woman Composer’s Voice: Study on the Cinquecento Madrigals of Maddalena Casulana (c.1544-c.1590)

  • Journal of the Korean Society for Musicology
  • Abbr : JKSM
  • 2021, 29(2), pp.117~158
  • DOI : 10.34303/mscol.2021.29.2.004
  • Publisher : The Korean Society for Musicology
  • Research Area : Arts and Kinesiology > Musicology > Other Musicology
  • Received : October 15, 2021
  • Accepted : December 19, 2021
  • Published : December 30, 2021

Park, Jeongsook 1

1한세대학교

Accredited

ABSTRACT

Maddalena Casulana (c.1544-c.1590), an Italian singer and lutenist of the Cinquecento is the first female composer who published her own compositions for the first time in the history of western music. This study investigates Casulana’s four voices Italian madrigals that have been transmitted until today. Madrigal is secular vocal music for small group and the number of voices varies from one to several people. It is a musical genre that men and women sing together for aristocratic gatherings or academy. Early madrigals were compositions for enjoyment of singing performance rather than appreciation. In the late sixteenth century, madrigals exhibit more complex melodies and complicated styles primarily for professional singing. Casulana published her first madrigal collection in 1568 and the second in 1570, which showed various compositional techniques of the mid sixteenth century madrigals without complexity of the later period. Like other madrigals, main themes of Casulana’s madrigals are love and death. The relationship between love and death through desire or dearly wish has implicative and symbolic meanings for which Casulana uses important poetic words through word-painting techniques that expressed in a diverse way. Most of Casulana madrigals have four voices setting and show uncomplicated counterpoint with homophonic sonority. Her madrigals are characterized by syllabic settings, main melody on the top voice, and bass line that plays a role in harmonic basis. A variety of her madrigal style includes melody that reflects poetic structure and accent, flexible rhythm for declamatory, and dialogue. Her poetic acumen redounds to musical sophistication and refined expression.

Citation status

* References for papers published after 2024 are currently being built.