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@article{ART002283504},
author={milim Lee},
title={In the 1860s, the art of James Tisso and the use of Japanese art},
journal={日本硏究},
issn={1229-6309},
year={2017},
number={47},
pages={65-86},
doi={10.20404/jscau.2017.11.47.65}

TY - JOUR
AU - milim Lee
TI - In the 1860s, the art of James Tisso and the use of Japanese art
JO - 日本硏究
PY - 2017
VL - null
IS - 47
PB - The Center for Japanese Studies
SP - 65
EP - 86
SN - 1229-6309
AB - The works of Tissot, Manet, Monet, Degas, Whistler, Georges Croegaert (1848-1923)and many other Impressionist painters are constantly appearing on the screen. Degas' portraits of Tissot are also a message that Tissot was a special painter who took charge of the circumstances of the Paris flower garden at the time, who was enthusiastic about Japanese taste, and the picture map of Akita Ke who was the head of the Delegation of the Paris Expo. In addition The portrait of Tisso is unique in that it is related to the problem of denying the long-standing perspective / perspettiva tradition in Western art at the time. At that time, the painters of the French art scene accepted Nishiki as a fresh shock to the bold composition of the screen, simplification of form, intense color contrast, soft shading. As a result, japanism has become an occasion to open up the possibility of new artistic development of French art. In the paintings of a series of painters such as Braque and Picasso in the early 20th century, spatial representation and depth of spatial disappear, and they did little to conform to the order of perspective, and had little influence on the entry into cubism that reshaped the space.
KW - Japanese Color prints;Japanese woodblock prints;Japonisme;Edgar Degas;James Tissot;the Post impressionists
DO - 10.20404/jscau.2017.11.47.65
ER -

milim Lee. (2017). In the 1860s, the art of James Tisso and the use of Japanese art. 日本硏究, 47, 65-86.

milim Lee. 2017, "In the 1860s, the art of James Tisso and the use of Japanese art", 日本硏究, no.47, pp.65-86. Available from: doi:10.20404/jscau.2017.11.47.65

milim Lee "In the 1860s, the art of James Tisso and the use of Japanese art" 日本硏究 47 pp.65-86 (2017) : 65.

milim Lee. In the 1860s, the art of James Tisso and the use of Japanese art. 2017; 47 : 65-86. Available from: doi:10.20404/jscau.2017.11.47.65

milim Lee. "In the 1860s, the art of James Tisso and the use of Japanese art" 日本硏究 no.47(2017) : 65-86.doi: 10.20404/jscau.2017.11.47.65

milim Lee. In the 1860s, the art of James Tisso and the use of Japanese art. 日本硏究, 47, 65-86. doi: 10.20404/jscau.2017.11.47.65

milim Lee. In the 1860s, the art of James Tisso and the use of Japanese art. 日本硏究. 2017; 47 65-86. doi: 10.20404/jscau.2017.11.47.65

milim Lee. In the 1860s, the art of James Tisso and the use of Japanese art. 2017; 47 : 65-86. Available from: doi:10.20404/jscau.2017.11.47.65

milim Lee. "In the 1860s, the art of James Tisso and the use of Japanese art" 日本硏究 no.47(2017) : 65-86.doi: 10.20404/jscau.2017.11.47.65