본문 바로가기
  • Home

A Study on the Ukiyo-eji and the Kibyō-shi of the 1780’s

  • 日本硏究
  • 2019, (50), pp.255-273
  • DOI : 10.20404/jscau.2019.02.50.255
  • Publisher : The Center for Japanese Studies
  • Research Area : Humanities > Japanese Language and Literature
  • Received : December 30, 2018
  • Accepted : January 31, 2019
  • Published : February 20, 2019

milim Lee 1

1성결대학교

Accredited

ABSTRACT

The Gibiyo-shi is one of the literary works which appeared in 1775 and 1806, the proportion of illustrations is high, and the remaining margins are booklets that outlines the appeal of the wisdom sutras filled with hiragana like a picture.In the book covering the amount of about 5 pages on the front cover, Masanobu and other promising Ukiyo-e artists actively participated and demonstrated their creativity freely. From the origin of Gibiyo-shi “榮花夢” to the publication of “鸚鵡邊文武二道” The development and response with the policies of the Edo shogunate and the mutual influence of the delicate and realistic style of kabuki painting It was. Particularly in 1781 participation in the production of publishers such as Utarigi became a detonator, and it was activated further.In 1787 the vibrant atmosphere that Mompei Masanobu of Matsudaira Junpo was ordered changed extremely. As a result, the churches of the common people who were able to adapt themselves to the new administration at the time of the Gubi - yo, and many writers borrowed the enemy and took up the enemy’s enemies.

Citation status

* References for papers published after 2022 are currently being built.