@article{ART002557991},
author={Lee Byung Jin},
title={Yanagi Muneyoshi and Joseon Folk Crafts},
journal={日本硏究},
issn={1229-6309},
year={2020},
number={52},
pages={241-260},
doi={10.20404/jscau.2020.02.52.241}
TY - JOUR
AU - Lee Byung Jin
TI - Yanagi Muneyoshi and Joseon Folk Crafts
JO - 日本硏究
PY - 2020
VL - null
IS - 52
PB - The Center for Japanese Studies
SP - 241
EP - 260
SN - 1229-6309
AB - Yanagi first visited Joseon in 1916, about 100 years ago. At the time, he traveled to Joseon and China, a 27-year-old young man who was forcibly incorporated into imperial Japan. Through the absolute cooperation and teachings of Japanese assassin and Takumi, who were produced during the trip to Korea, Yanagi discovered the beauty of Joseon crafts, and at the same time continued to express respect for the Korean people who produced it. It appeals to the need for understanding. For Yanagi, I would like to consider what folk crafts of Joseon mean and what problems he left behind through his activities in Joseon. Yanagi sees that the establishment of reality, a philosophical ground demand, can be proved through the aesthetic experience of art. He argues that nature and art are philosophical ideas. Such a strong interpenetration of Yanagi’s religious and artistry secures legitimacy to turn away from the reality scattered around him by releasing opposing concepts and praising the free world in which they unite. In the era when Japan was immersed in the imperialism of colonization, Yanagi was committed to the construction of the Shirakaba Art Museum, the Joseon National Art Museum, and the Japanese Folk Art Museum in Japan and Joseon, and through the Hall of Fine Arts presented by him. Focus on the realization of the ideal of art and religion as the Trinity. This was to restore the oriental values lost in the process of modernization. Through the aesthetic experience gained from the conceptual medium of Joseon crafts, he crossed the East and the West and asserted a universal philosophy in Pian’s aesthetic world beyond the political conflict between Japan and Korea.
KW - Yanagi Muneyoshi;Crafts of Joseon;Beauty;Folk Crafts;Society
DO - 10.20404/jscau.2020.02.52.241
ER -
Lee Byung Jin. (2020). Yanagi Muneyoshi and Joseon Folk Crafts. 日本硏究, 52, 241-260.
Lee Byung Jin. 2020, "Yanagi Muneyoshi and Joseon Folk Crafts", 日本硏究, no.52, pp.241-260. Available from: doi:10.20404/jscau.2020.02.52.241
Lee Byung Jin "Yanagi Muneyoshi and Joseon Folk Crafts" 日本硏究 52 pp.241-260 (2020) : 241.
Lee Byung Jin. Yanagi Muneyoshi and Joseon Folk Crafts. 2020; 52 : 241-260. Available from: doi:10.20404/jscau.2020.02.52.241
Lee Byung Jin. "Yanagi Muneyoshi and Joseon Folk Crafts" 日本硏究 no.52(2020) : 241-260.doi: 10.20404/jscau.2020.02.52.241
Lee Byung Jin. Yanagi Muneyoshi and Joseon Folk Crafts. 日本硏究, 52, 241-260. doi: 10.20404/jscau.2020.02.52.241
Lee Byung Jin. Yanagi Muneyoshi and Joseon Folk Crafts. 日本硏究. 2020; 52 241-260. doi: 10.20404/jscau.2020.02.52.241
Lee Byung Jin. Yanagi Muneyoshi and Joseon Folk Crafts. 2020; 52 : 241-260. Available from: doi:10.20404/jscau.2020.02.52.241
Lee Byung Jin. "Yanagi Muneyoshi and Joseon Folk Crafts" 日本硏究 no.52(2020) : 241-260.doi: 10.20404/jscau.2020.02.52.241
